Philip Glass has made an immense and stylistically wide-ranging contribution to piano repertoire. The Orphée Suite, a transcription of excerpts from the first opera in Glass’ Cocteau Trilogy, is one of his most distinctive piano pieces, blending virtuosity and melodic richness. In contrast, the hypnotic How Now is structurally influenced by Indian ragas and gamelan music, whilst Dreaming Awake contains one of the most powerful climaxes in all Glass’ works. Performed by Nicolas Horvath, a Scriabin Competition first prize winner, this is the first release in the complete Glass solo piano edition which will include many premières.
Michael Riesman is the conductor and producer of nearly every Philip Glass soundtrack recording, including the Academy-Award nominated scores to KUNDUN, THE HOURS and NOTES ON A SCANDAL. PHILIP GLASS SOUNDTRACKS presents his own transcriptions for solo piano of some of the best Philip Glass film scores.
Symphony No. 9 is Philip Glass' ninth symphony. It was written between 2010 and 2011. It is written in 3 movements. It was commissioned by the Bruckner Orchester Linz, Carnegie Hall, and the Los Angeles Philharmonic Association.
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…