Padre Davide da Bergamo was one of Italy’s most famous and prolific organists and organ composers (besides being a monk). His lifespan, 1791- 1863, encompassed the Romantic Era, in which organ music detached itself from purely liturgical use. He introduced the symphonic form in his organ works, especially in his “Sinfonias”, which are substantial structures in classical/romantic style and form. This recording features the first recording of his “6 Sonatas & Sinfonias”. Organist Marco Ruggeri chose two organs from Da Bergamo’s time, magnificent instruments which do full justice to the colours and virtuosity of Da Bergamo’s works. Booklet contains liner notes, biography and information on the instruments.
One of Donizetti’s most emotionally raw operas, Roberto Devereux ossia Il conte di Essex was also the third to be loosely based on episodes in the life of Queen Elizabeth I. It deals with the love of Elizabeth and her favourite, the Earl of Essex, perhaps most tellingly expressed in the Act I duet, Nascondi, frena i palpiti, o misero mio core / Hide, hold back your palpitation, oh my wretched heart! Elizabeth’s subsequent abdication is, however, a matter of dramatic licence, yet provides a memorable operatic conclusion to this tragedy of love and jealousy as she despairs at the death of her lover – Quel sangue versato al ciel s’innalza / The blood that is spilt rises up to Heaven.
Based on Victor Hugo’s most sensational play, Lucrèce Borgia, a scandalous tale of murder, torture, incest, homosexuality, drunkenness and orgies, Donizetti’s opera is one of the great masterpieces of Italian bel canto repertoire. While omitting some of its more excessive elements, the libretto by Felice Romani inspired Donizetti to compose superb arias, duets, ensembles and choruses, bringing each act to a stirring conclusion.
The drama of 'Gemma di Vergy', like that of 'Anna Bolena', 'Maria Stuarda' and 'Roberto Devereux', unfolds at court, where reason of State interwines with sentiments of passion and love. Gemma is repudiated by her husband, the Count of Vergy, baritone, while the "antagonist" is Tamas (tenor), the Arab slave, locked in unrequited love. The vocal composition for the role of Gemma moves with sudden jumps between the central and the high regusters. "It is as difficult as three Normas put together", maintained Montserrat Caballé.
Composed in 1838, Poliuto is a masterpiece from Donizetti's mature years. It is rarely performed because the title role - the most dramatic part which Donizetti ever wrote for a tenor - is so difficult to sing. The opera was forbidden by the Naples censors and was finaly staget only after Donizetti had died.
This new Dynamic opera, Elisir d’amore was performed in Donizetti’s native city of Bergamo, during the most important world festival dedicated to the Italian composer. The opera is set in a rural environment and the action takes place in a country farm. It is a brilliant comedy with many points of contact with semi-serious operas. The choice of this subject must have been strongly influenced by the successes of Vincenzo Bellini’s La Sonnambula.
In the summer of 1830 the impresarios of Teatro Carcano contacted Donizetti and asked him to compose a new opera for the season’s opening. At the moment of signing the contract Donizetti still ignored the subject of the new opera; but he knew that the librettist would be Felice Romani and the female protagonist Giuditta Pasta. Success was resounding and unanimous, also with the critics. Donizetti had indeed reached artistic maturity. Anna Bolena tells of a human drama of solitude and oppression; it is a work of psychological introspection centred.
In its original form, Maria di Rohan was without doubt the most audacious result – pre-Verdi – of aesthetic transformation beyond the courtly dramas of “long Italian classicism”. The opera’s intrigue develops like an unstoppable machine: the fatal triangle formed by Maria, Chalais and Chevreuse being the work of Richelieu’s absolute power (despite never appearing on stage). Like trapped animals, the characters hopelessly search for a way out, and they devour each other in turn. Recorded at the Bergamo Donizetti Festival, October 2011, this is the first DVD release of Donizetti’s 1843 opera.