la Modelisation du Risque Herve Thiriez

A portrait of d'Artagnan in the form of a tribute to Alexandre Dumas, illustrated by authentic pieces of music written by Lully and Philidor for the real Musketeers. Trumpets and kettledrums, oboes and side-drums play the favourite marches and trios of the royal regiments in alternation with passages from the novelist's prose. A fascinating meeting between history and fiction.

Charles (ou François) Dieupart est un musicien (claveciniste et violoniste) d'origine française, né probablement à Paris, vers 1667 et mort à Londres vers 1740.
On ne connaît pas les détails de la jeunesse et de la formation de Dieupart, ni la raison de son émigration en Angleterre où il est présent en 1704. Connaisseur de la musique italienne et admirateur de Corelli, il a été en Angleterre un musicien apprécié de la haute société, notamment comme violoniste, et a participé au développement et à la diffusion de la musique et de l'opéra italien dans ce pays. Il a connu, à la fin de sa vie, l'indigence et une certaine déchéance sociale.

Many Italian composers of the 17th century went abroad to look for a job. Most of them travelled to Austria or Germany, but some took another direction. The best-known of them was Giovanni Battista Lulli, who as Jean-Baptiste Lully dominated musical life in France in the second half of the 17th century. Another one was Pietro Antonio Fiocco, who stayed the largest part of his life in the Southern Netherlands.

Alors que son duel contre le Ténébreux approche, Rand négocie une trêve avec les Seanchaniens. Pendant ce temps, prisonnière à la Tour Blanche, Egwene fait tout pour affaiblir le pouvoir d'Elaida. …

La Naissance d'Osiris (Osiris birth) was performed in 1754 at the birth of Louis XVI in Fontainebleau. Rameau composed the one-act ballet based on a libretto by Louis de Cahusac, who has already provided the libretto for numerous other works by Rameau (Zoroastre, Anacréon, Les Fêtes de l'hymen et de l'Amour …). The piece depicts the birth of the goddess Osiris and symbolizes the birth of the grandson of Louis XV.

'Ulysse' by Jean-Fery Rebel (1666-1747), with its prologue and five acts, was given at the Paris Opera on January 23 1703. The libretto by Henry Guichard, after Homer, recounts the return of Ulysses to Ithaca, where Circe, still in love with him, attempts to regain him by magic. The opera ends in the triumph of love over evil. Rebel followed the formal framework of the lyric tragedies of his master Lully, including some scenes to marvel at. But his orchestral writing also announces Rameau, especially in the depiction of battles, earthquakes or storms.

Orchestre baroque français, dirigé par le flûtiste, hautboïste et chef d’orchestre Hugo Reyne, La Simphonie du Marais défend depuis plus de 30 ans le répertoire musical des XVIIe et XVIIIe siècles, en tissant des liens uniques et particuliers entre le public, l’histoire, la musique et les autres arts.

La Simphonie du Marais is offering you a masterpiece of the Baroque repertoire, Johann Sebastian Bach’s Brandenburg Concertos. Hugo Reyne, now as the conductor, now as the recorder player, reveals the extent of Leipzig’s future cantor’s talent in a version «à la française» that allows ample room for the wind instruments.