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The only surviving version of Carlo Gesualdo’s First Book of Madrigals was printed in Spring 1594 by the typographer Vincenzo Baldini. At the time, the composer was twenty-eight years old and had just left behind the murder of his wife, in 1590. In this first publication Gesualdo probably collected pieces composed earlier than 1591. The music is written by a young author, far away from the better-known experimental composer of later years, yet is clear and faultless, and often very effective.

Cinque Profeti is a little known Christmas cantata by Alessandro Scarlatti. It has a power and subtlety redolent of Handel coupled with touches of early Monteverdi. Sung here to great effect by the five soloists with sensitive instrumentalists, they play together to bring the gentle and subtle melodies - surely written to confer a sense of the special nature of the Christmas season - to life. It’s a recording which is sure to please. Opera was not performed in Rome for much of Alessandro Scarlatti's lifetime; that's why his vocal church music mostly comprised oratorios and cantatas, of which he wrote three for the Palazzo Apostolico. Only one survives: to a libretto by Silvio Stampiglia. Cinque Profeti takes the inventive form of a conversation between the five old testament prophets, Daniel, Ezekiel, Isaiah, Jeremiah and Abraham (the cinque profeti) about the birth of Christ – which was about to be celebrated on the occasion of the cantata’s first performance, in 1705 at the Papal Palace in Rome.

Une enquête menée dans plusieurs pays sur un courant d'opinion baptisé Slow qui milite pour un meilleur équilibre entre rapidité et lenteur dans les comportements, et critique le culte de la vitesse souvent prôné dans les sociétés occidentales. …