Label cd Cover Design

Ptah, the El Daoud, recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New York. This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. Coltrane noted: "Joe Henderson is more on the intellectual side, while Pharoah is more abstract, more transcendental."

What might have been simply seen as an agreeable enough debut album has since become something of a notorious legend because Kraftwerk, or more accurately the core Hütter/Schneider duo at the heart of the band, simply refuses to acknowledge its existence any more. What's clearly missing from Kraftwerk is the predominance of clipped keyboard melodies that later versions of the band would make their own. Instead, Kraftwerk is an exploratory art rock album with psych roots first and foremost, with Conny Plank's brilliant co-production and engineering skills as important as the band performances. Still, Hütter and Schneider play organ and "electric percussion" – Hütter's work on the former can especially be appreciated with the extended opening drone moan of the all-over-the-place "Stratovarius" combined with Schneider's eerie violin work. But it's a different kind of combination and exploration, with the key pop sugar (and vocal work) of later years absent in favor of sudden jump cuts of musique concrète noise and circular jamming as prone to sprawl as it is to tight focus.

"Roll The Bones", Rush's fourteenth studio album, released in 1991, is a fantastic blend of tempos, ideas, and musical explorations. The album marks further transition from the band's 1980s style to their sound in the 1990s - it still has Rush's dark mystique but it is a more pop-oriented album. There are four popular radio staples, "Bravado," "Ghost Of A Chance," "Roll the Bones" and "Dreamline" with the former reaching #1 on the US Mainstream Rock chart, while "Where's My Thing" was Grammy nominated for Best Rock Instrumental.
The band reunited with producer Rupert Hine for his second Rush album and "Roll the Bones" became their first US Top 5 album since 1981 peaking at #3 on the Billboard Top 200. The album also won the Canadian band that country's 1992 Juno Award for best album cover design…

"Roll The Bones", Rush's fourteenth studio album, released in 1991, is a fantastic blend of tempos, ideas, and musical explorations. The album marks further transition from the band's 1980s style to their sound in the 1990s - it still has Rush's dark mystique but it is a more pop-oriented album. There are four popular radio staples, "Bravado," "Ghost Of A Chance," "Roll the Bones" and "Dreamline" with the former reaching #1 on the US Mainstream Rock chart, while "Where's My Thing" was Grammy nominated for Best Rock Instrumental.
The band reunited with producer Rupert Hine for his second Rush album and "Roll the Bones" became their first US Top 5 album since 1981 peaking at #3 on the Billboard Top 200. The album also won the Canadian band that country's 1992 Juno Award for best album cover design…