Lambton

"Following the ebb and flow of the music Meyers produces a marvellous variety of tone, switching from a high fluting sound to a rich woody bass, and multiple shades in between, with consummate ease. In the quirky, volatile scherzo, she gaily sacrifices this hard-won sweetness for a rollicking, almost carefree approach. This is playing of rare sensitivity which seems perfectly in tune with the lyrical and contemplative nature of the concerto… Meyers goes on to bring similar insight to the Second Concerto, although with its more conventional, full-blooded character it could be said less to deserve it."