27-song set. Three songs from 2020’s Letter To You: “Ghosts,” “Last Man Standing” and “I’ll See You In My Dreams.” “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions.
The reign of Philippe IV the Fair of France, from the late thirteenth through the early fourteenth centuries, was marked by prosperity and a flourishing of the arts. During Philippe's reign, several important collections of music were copied, including the Montpellier Codex, the Chansonnier Cangé, and the Robertsbridge Codex, which remain the most significant sources of music of the era. The selections from those manuscripts recorded here are delightfully diverse: estampies – perky folk-like dances, polyphonic secular motets, and soulful Trouvère love songs. The music has a rough-hewn quality to it – it was written well before the conventions of western classical music had fallen into place, and it follows a logic that's foreign to modern sensibilities accustomed to music from the Renaissance to the Contemporary periods.
Did Wolfgang Amadeus Mozart compose for viola da gamba? Certainly! His father Leopold Mozart bears witness to this. Joseph Fiala, the most famous viola da gamba player of the time after Carl Friedrich Abel, was Mozart‘s close friend and lived in Mozart‘s Salzburg birthplace from 1778 to 1785. Echo Klassik prize-winner Thomas Fritzsch performs on Fiala‘s 1709 Salzburg viola da gamba, which Mozart undoubtedly got to know. Together with Michael Schönheit on an original tangent piano and the ensemble Merseburger Hofmusik, gamba compositions by Mozart and Fiala can be heard for the first time.