Lark on a String

Featuring a stellar cast of performers, and curated by pianist Dylan Perez, this complete anthology of Samuel Barber’s songs present those works published during his lifetime, together with those published posthumously, some of which are recorded here for the first time. Barber was clear as to what he wanted from very early in his life, and this strength of character and courage to follow his path is heard throughout Barber’s significant contribution to the genre.

It's a bit depressing how many new releases from the "major" classical labels these days consist of recycled old recordings, but give Deutsche Grammophon credit for the thinking that obviously went into this four-CD box entitled The Four Seasons: A Musical Calendar of Favourite Classics. In a way, this is yet another milking of the perennially salable Vivaldi Four Seasons; each of the four discs (Spring, Summer, Fall, and Winter) opens with a complete performance of its respective concerto from that set, in the Gil Shaham recording with the Orpheus Chamber Orchestra.

Few people think of Elgar, Vaughan Williams and Walton as composers of chamber music; nevertheless, the small number of works of this classification which they published is highly characteristic, personal and significant.

The pinnacle of Denny's career, Hypnotique earns a place in history for its achingly beautiful jacket design alone. The same photo shoot also yielded the cover photo for the Denny-produced "Exotic Dreams" by singer Ethel Azama. The music of Hypnotique is just as compelling, producing an effect that certainly must be described as hypnotic, if not occasionally feverish. This can be partially attributed to the help of guests Barbara Smith, John Mechigashari, and Bud Lee on various Japanese instruments. …

Gracious began as a schoolboy lark in 1964, when guitarist Alan Cowderoy and vocalist/drummer Paul Davis banded together to cover pop songs at school concerts. To arouse maximum ire at their Catholic school, the adopted the band name "Satan's Disciples." Over the next several years the recording lineup of the band coalesced with Cowderoy and Davis (who now only sang), former road manager Tim Wheatley on bass, Martin Kitcat on keyboards, and drummer Robert Lipson. Renamed Gracious (or Gracious!), the band toured Germany in 1968 and then recorded a concept album about the seasons of the year, although this went unreleased. Still, their ambitions were unabated.