Larry Bunker at Shelly's Manne Hall

Steve Kuhn is generally not thought of as a solo pianist because he has rarely recorded in that format, but this 1990 concert at Maybeck Recital Hall is one of his most memorable releases.
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This very satisfying concert CD is well-worth acquiring. ~Ken Dryden, allmusic.com

Playing at Maybeck Recital Hall before a small but attentive crowd seems to bring out the best in many pianists. Stanley Cowell performs a well-planned program of 14 selections on this 1990 CD. On a two-minute "Softly as in a Morning Sunrise," Cowell runs through all twelve keys. He pays tribute to the stride-piano tradition on "Stompin' at the Savoy," explores some bop, Latin-jazz (a transformed "Autumn Leaves") and post bop music, plays "Jitterbug Waltz" in the style of Art Tatum, inteprets "Stella by Starlight" in 5/4 time and performs J.J. Johnson's "Lament" with just his left hand. A very interesting recital. ~ Scott Yanow, All Music Guide

Producing a darker tone from the Maybeck Yamaha piano than do some other participants in the series, Kenny Barron gets a chance to flaunt a wider range of his influences than he usually does in a group format. Barron opens with a stride-ish "I'm Getting Sentimental Over You," which sports a few minor fluffs (this is live, folks), and then explores a number of diverse styles under the bop umbrella. Barron's "Bud-Like" has reminiscences of "Un Poco Loco," built on an ostinato bass pattern most of the way, with a witty "Bemsha Swing." As usual with Maybeck, the sound of the hall's bright, brittle Yamaha piano is brilliantly captured.