le Concert 2009

Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American college campuses, Paul and Dave's Jazz Interwoven (1954) being the first. Joining Brubeck are Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums), whose support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon. "Balcony Rock" commences the platter from sides documented at the University of Michigan in Ann Arbor. The heavily improvised tune is formed on an eight-bar blues as Desmond steers the combo via his inspired and lyrical leads. ~ AllMusic

Wasting no time in the wake of the Gallagher brothers sudden 2009 implosion, Sony released the deluxe Time Flies 1994-2009 retrospective in the summer of 2010, just in time for the 15th anniversary of (What’s the Story) Morning Glory? The driving idea behind Time Flies is to collect all 27 of Oasis’ British A-sides, a simple idea that would seem to fit one of the great singles band, but sticking to the singles winds up leaving many great songs behind, including their manifesto “Rock & Roll Star,” “Champagne Supernova,” the lovely “Talk Tonight,” and Noel and Liam’s duet “Acquiesce,” among many tremendous B-sides…

On this 2009 CD, the scholar-pianist Paul Badura-Skoda (b. 1927) offers an inspired performance of Haydn's keyboard music. Badura-Skoda plays his own rare fortepiano dating from around 1790 built by a maker, Johann Schantz, whom Haydn praised highly. The instrument has a lighter, clearer tone than the contemporary piano. It is bell-like and somewhat dry with a detached sound. In these performances, Badura-Skoda plays with a light, quick touch with sparing use of the pedal and less emphasis on legato playing than would be offered in more contemporary readings. He also plays with a great deal of musicality and passion.

Jacques Brel appeared like love and took over my heart. Using his charm, he left me breathless and, as a result, I wanted to express all these emotions through his music,” explained Sonia Theodoridou earlier this week on the occasion of the presentation of her new CD “Sonia Theodoridou Sings Jacques Brel…

Soprano Natalie Dessay leaves the dizzy heights of Bellini’s Amina, Donizetti’s Marie and Massenet’s Manon to inhabit the more discreet emotional and vocal world of Debussy’s Pelléas et Mélisande with a cast of fellow francophones.
“There’s more to life than top notes,” Natalie Dessay has said. She has, of course, made her reputation with the florid, stratospheric heroines of Romantic French and Italian opera, but in this new DVD from Vienna she portrays a heroine who presents few opportunities for vocal display, but many for subtle characterisation – Debussy’s Mélisande. Dessay had sung the role just once before, in concert in Edinburgh in 2005. Pelléas et Mélisande is full of ambiguity and its vocal lines closely reflect Maurice Maeterlink’s often enigmatic text. A few unaccompanied, ballad-like phrases are the closest Mélisande gets to an aria.

After 3 years of concert through Europe, the former « Quintet à Claques » has the pleasure to share the stage with Florian and his drums since 2009. Henceforth Sextet, we hope that you will appreciate the new band as much as we do! ~ sextetaclaques