le Petit Violon

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis. The group got better with each album. "Grimaces" and especially "Le Petit Violon De Monsieur Grégoire" are two different landmarks of their technical maturity, that is evident thanks to a Steve Hackett style of guitar and the growth of the singer's vocal power and charisma. A true landmark of the Seventies French Progressive rock scene.

This set includes two of the rarest and hardest to find of all recordings: the 1958-59 version of the Bach Cello Suites by Janos Starker – the one everyone says his later recordings cannot match – and the extremely beautiful performance of Bach's unaccompanied violin sonatas and partitas – the one that Japanese collectors pay 3-digit dollar prices for – in outstanding EMI Digital Re-Masterings.

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis. The group got better with each album.
"Grimaces" (1975) exhibits a more extroverted colorfulness, even aiming at the build-up of merry-go-round atmospheres in many places. If Pierson's use of organ and synthesizers in the debut effort was close to a "B"-horror movie with heavy Gothic undertones, now the keyboard layers and solos tend to become festive…

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis.
Сompared with their previous albums, the purpose seems gone and the succession of them is simply not cutting the mustard with this proghead. While two tracks are instrumental, most of the other songs lack LeGuennec's vocals to give it that typical ML touch…

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis. The group got better with each album. "Avant Qu'il Ne Soit Trop Tard" (1977) is a success for this band, given that it mixes the vocal emphasis with the theatricality of its music, and it also goes beyond this thanks to a great instrumental variety and truly captivating and powerful melodies.

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis.
"L'Ombre Et La Lumière" is Mona Lisa's comeback. This 1998 album shows a music that has remained as expressive, poetic, melodramatic and suggestive as ever.

Miniaturas lunares est une expérience acoustique qui établit des ponts entre les musiques populaires, classiques et contemporaines. Miniaturas lunares est une succession de fragments sonores très courts, des histoires minimales qui s’enchaînent. Ces miniatures alternent des poèmes, des chansons et des morceaux de musique instrumentale. J’ai imaginé une série de musiques extrêmement légères et éphémères. Des moments de vie très intimes où l’on s’attache au présent pour que le temps s’allonge et devienne élastique. Des instants de joie, de mélancolie, de surprises, détonants, d’humeur mais aussi des instants nostalgiques qui se succèdent vertigineusement.