Harry Belafonte once wrote of blues singer Odetta: "Few possess the fine understanding of a song's meaning which transforms it from a melody into a dramatic experience." Pete Seeger heard this collection and declared, "I've been waiting for this album for 50 years!" In continuing her tribute to the classics, Odetta turns her legendary vocal talents to the songs of Huddie Ledbetter, better known to blues history as "Leadbelly." Like Odetta herself, Leadbelly was far more than just a blues singer. His repertoire ranged from children's songs to folk ballads, protest songs to work songs, gospel to jazz. Odetta tackles a handful of his classics in her own distinctive style, with moods ranging from melancholy and emotional (the mandolin-enhanced, saloon-flavored "Mother's Blues") to spirited and humorous ("When I Was a Cowboy")…
Since the very birth of the blues, the train has been a source of great inspiration for musicians. From the steam engine imitation tunes of pioneering harmonica players to wonderful variations on classic folk songs, this collection highlights how the railroad helped shape the blues.
Duck Baker is an internationally acclaimed American acoustic finger-style guitarist who plays in a variety of styles: jazz, blues, gospel, ragtime, folk, and Irish and Scottish music. He has written many instruction books for guitar, famously released several albums on Stefan Grossman's Kicking Mule label in the 70's, and later recorded for Windham Hill and Shanachie among others. Les Blues Du Richmond is a collection of previously unreleased early demos recorded for Grossman in the 70's.
40 CD box set. Artists include John Lee 'Sonny Boy' Williamson, Leadbelly, Big Bill Broonzy, Bessie Smith, Muddy Waters, Mississippi John Hurt, Memphis Minnie, John Lee Hooker, Big Joe Williams and many more. 725 tracks all digitally remastered to enhance the original recordings without manipulating the character of the music. Recordings made between 1923 and 1948. 20 double slimline jewel cases housed together in a cardboard box.
When it came to the compiling of this country blues album, the towering influence of a dozen or so of the giants of pre-war blues made them totally un-droppable. Therefore, with so many familiar names, the challenge lay with creating the best possible cross section of this most diverse of genres within the time constraints of a CD.
More bass-driven brilliance, produced by the late Felix Pappalardi, former producer of Cream. Though the album is less cohesive than their debut, it soars to even greater heights with its stand-out covers of Leadbelly and Robert Johnson. These blues numbers are largely played as unaccompanied bass and vocal pieces. There's something to this unadorned combination - the inherent grittiness of the bass matched against his voice hearkens back to the raw power of Delta blues, where it's just a guy and his crappy old guitar. On "32-20 Blues," Hodgkinson sings an old Robert Johnson number while throttling away at the bass; on the opening "Laying Track," the whole band takes on Leadbelly in a sort of restrained funkiness, with the constant thrashing of a tambourine underlining the rhythm section's punches on the downbeat.