Lee Marvin

Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend and left to die while Reese takes off with Walker's wife and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback.

21 Legendary Superstars is a compilation CD released in 1987 consisting of 21 legendary superstars, duh. It is part of the Oldies But GOodies series, released by Oriignal Sound Entertainment.

Aladdin Records, based in Los Angeles, was a very influential label in American music history. This is not the full story of Aladdin Records but it's a very good sampler of the label's output from 1947-1961. It's 50 tracks, 25 tracks on each of the 2CDs in the set, of very good R&B from the period. Each CD is about 60 minutes playing time. The sound is good for recordings of this era. Amos Milburn, Lightnin' Hopkins, Lowell Fulson, Louis Jordan, Charles Brown, Billie Holiday, Shirley & Lee, Gene & Eunic, Bobby Wall, Thurston Harris, The Velvetones and many more.

In late 1961, John Lee Hooker stepped into a Chicago studio for a single-day session with Motown's tight, swinging house band—which by then had propelled hits by Stevie Wonder, The Temptations and Marvin Gaye—and went electric.

Parabola’s essential third album, Electric Parabola, features two new elements - keyboard sage Chris Forbes and the art of plugging in. Bassist Lee Marvin, currently focusing on electric bass, was the catalyst in this shift in voltage. Drummer Tom Cabrera thrives in this alternate universe, buoyed by Chris’ keyboard and Jack DeSalvo’s electric guitar. The music undulates from intensity to ambiance to powerful interplay in a display of the best in electric jazz.

Parabola’s essential third album, Electric Parabola, features two new elements - keyboard sage Chris Forbes and the art of plugging in. Bassist Lee Marvin, currently focusing on electric bass, was the catalyst in this shift in voltage. Drummer Tom Cabrera thrives in this alternate universe, buoyed by Chris’ keyboard and Jack DeSalvo’s electric guitar. The music undulates from intensity to ambiance to powerful interplay in a display of the best in electric jazz.