Legend 1971

In some circles, Mickey Jupp is something of a minor legend, a roots rocker with excellent taste and a cutting wit, best heard on the songs "Switchboard Susan" and "You'll Never Get Me Up in One of Those," both covered by Nick Lowe. Basher's endorsement is a clear indication that Jupp is a pub rocker, a guy who specializes in laid-back good times, so it shouldn't come as a great surprise that his first band, Legend, was proto-pub, an unabashed celebration of old-time rock & roll, filled with three-chord Chuck Berry rockers and doo wop backing vocals. Nevertheless, listening to their 1971 LP is a bit of a shock, as it's completely disassociated with anything that was happening in 1971, even with Tony Visconti enlisted as their producer. Legend's sensibility is ahead of its time in its retro thinking, pointing the way to the rock & roll revival of the late '70s and not even that similar to the country-rock of Eggs Over Easy or Bees Make Honey…

Baby Huey - The Baby Huey Story: The Living Legend (1971) {2014 Warner Music Japan WPCR-27720}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb | 5% repair rar
© 1971, 2014 Curtom / Warner Music Japan | WPCR-27720
Psychedelic Soul / Funk / Soul / R&B / Chicago Soul

Reissue with the latest 2013 digital remastering. Comes with a description and lyrics. Baby Huey's only album, released after his untimely death, is titled The Living Legend with good reason. He was legendary in his appearance, a 400-pound man with a penchant for flamboyant clothing and crowned by a woolly Afro, a look that is best illustrated by one of several rare photos included in the Water Records edition that shows our man in a wide-lapeled polka-dot shirt with a lime-green jacket. Beyond his unusual appearance, though, he was graced with a stunning, fierce voice on par with Otis Redding and Howard Tate, wailing and howling one moment and oddly tender and sentimental the next.

Baby Huey - The Baby Huey Story: The Living Legend (1971) {2018 2LP Expanded Record Store Day ROGV-051} (Vinyl LP rip 16-48)
FLAC (tracks) - 16bit/48kHz - VINYL LP RIP -> 471 Mb | MP3 @320 -> 162 Mb | Full Artwork | 5% repair rar
© 1971, 2018 Curtom / Run Out Groove | ROGV-051 | Expanded 2LP Deluxe Edition
Psychedelic Soul / Funk / Soul / R&B / Chicago Soul

James Thomas Ramey, better known by his stage name Baby Huey (taken from the Paramount Pictures animated giant cartoon duckling) was born in Richmond, Indiana and moved to Chicago in the early '60s to front his band The Babysitters with co-founders Melvin Deacon Jones on trumpet and Johnny Ross on guitar. By the time they recorded The Living Legend, only Huey and Jones remained (Deacon Jones would go on to play with Freddie King and John Lee Hooker). Because of a glandular disorder, Huey weighed close to 400 pounds at times, contributing to his "larger than life" stage presence, but also to a host of health issues.

In Search of The Lost Chord (1968). "In Search of the Lost Chord" is the album on which the Moody Blues discovered drugs and mysticism as a basis for songwriting and came up with a compelling psychedelic creation, filled with songs about Timothy Leary and the astral plane and other psychedelic-era concerns. They dumped the orchestra this time out in favor of Mike Pinder's Mellotron, which was a more than adequate substitute, and the rest of the band joined in with flutes, sitar, tablas, and cellos, the playing of which was mostly learned on the spot. The whole album was one big experiment to see how far the group could go with any instruments they could find, thus making this album a rather close cousin to the Beatles' records of the same era…

Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon – who was 17 years old – into the original core lineup of Santana. Percussionist Thomas "Coke" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. "Batuka" is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon's harder, edgier rock & roll sound paired with Carlos' blend of ecstatic high notes and soulful fills.