Sublime Hammond from the amazing Leon Spencer – heard here at the height of his younger years, when he was cooking up as much magic in the studio as Johnny Hammond or Charles Earland – and really stretching things out, in ways that take the jazz organ format much farther than the giants of a decade before! The date's an all-out great one in the Prestige funky jazz mode – with Spencer on organ, Melvin Sparks on guitar, Grover Washington Jr on tenor, and Idris Muhammad on drums – a bit more subtle than before, but still plenty darn funky! Tracks are nice and long – and the record includes the originals "Louisiana Slim", "Our Love Will Never Die", "The Trouble With Love", and a cover of "Mercy Mercy Me".
Desenchufado is the tenth studio album by Argentine singer-songwriter León Gieco. It was released in 1994 by the EMI label and produced by Daniel Goldberg. The album is an irony to the world trend imposed by the North American MTV of the Unplugged. In this case, it was a formidable remake of León's classics, including "El fantasma de Canterville", composed by Charly García for the singer-songwriter, and a new song called "Como un tren" (lyrics by Gieco , while the music is by Gurevich). The presentation of this album in the Capital was only at the end of 1995, with Nito Mestre, Rodolfo García, Oscar Moro and the former Oveja Negra as guests.
Grammy Award-winning, multi-platinum selling band The Pretenders featuring the Legendary Chrissy Hynde performs with special guests including Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus, recorded live at the Decades Rock Arena in Atlantic City, NJ…
This previously unreleased concert recording from 1980 presents a special confluence in the development of free jazz as a wholly international language, with trumpeter Don Cherry and his personal evolution at the centre of the music.
On Awakening, his second album for Columbia Records, Leon Parker continues to shake things up, mixing worldbeat and funk with hard bop. It's an ambitious record but one that is surprisingly successful; it reveals more upon each listen, becoming a thoroughly enchanting record.
The Simple Life features the internationally renown rhythmist Leon Parker on 15 performances that bring his "vocal-body-rhythms" style (one that makes his voice and body his instrument) to the forefront of jazz. Merging the concept of music, dance, and theater, this is Parker's first release since 1998 and it combines performances recorded in unusual venues such as the streets of New York City, in a loft, live, and in the studio. Leon Parker's core group, vocalists Elizabeth Kontomanou and Ugonna Okegwo, are joined by several guest artists, including Steve Wilson and Sam Newsome on saxophones, Jacky Terrasson and Xavier Davis on piano, Tom Harrell on trumpet, and Adam Cruz taking over the percussion duties on "Ray of Light (Revisited)." Steve Wilson turns in a spectacular alto saxophone solo on "Belief," a live version recorded at the Village Vanguard.