Leones

Agricola was already considered one of the 'old masters' soon after his death in 1506. His works were approached with veneration and, already in the early 16th century, regarded as examples of good and demanding counterpoint. As a member of the first generation of genuinely instrumental composers, he wrote not only the masses, motets and chansons that were customary during this period, but also a large number of works without text that were obviously created for instruments by virtue of their construction. As a result, his musical rhetoric went considerably farther than his otherwise congenial colleagues Josquin Desprez and Heinrich Isaac, and he composed instru¬mental works that were far ahead of his time.

This compilation includes selected works by the noted Renaissance composer Ludwig Senfl, who was an important student of Heinrich Isaac. In 1523 Senfl joined the Munich court orchestra at the court of Maximilian I, where he worked until his death.

This compilation includes selected works by the noted Renaissance composer Ludwig Senfl, who was an important student of Heinrich Isaac. In 1523 Senfl joined the Munich court orchestra at the court of Maximilian I, where he worked until his death. Singer Pur will perform these pieces at their Singer Pur Tage festival, and at the 2023 Medieval and Renaissance Music Conference in Munich.

The Chansonnier Cordiforme is a songbook, probably copied in 1475 for a roguish but musically cultivated priest named Jean de Montchenu a contemporary chronicler called him 'dissolute and full of all the vices'. The beautiful manuscript containing 43 songs is, uniquely, heart-shaped and covered in velvet. This recording presents both a representative cross-section of the manuscript's repertoire, the majority of which is set to French texts and is among the best known and beautiful of the age, and a portfolio of differing performance options including instruments.