Les mc Cann

Over the course of time there have been many overlooked artists in classical music, because of their race and/or gender. It is important to acknowledge that we have not yet heard the whole story due to this sidelining of voices. Composers Joseph Boulogne Chevalier de Saint-Georges, Samuel Coleridge-Taylor, William Grant Still, Florence B. Price, Coleridge-Taylor Perkinson, and George Walker, have all contributed beautifully crafted works to the repertoire, but are not widely celebrated. Another contributing factor to this unfortunate reality is access to their manuscripts and recordings of their work which we believe would lead to greater awareness and programming of their incredible music.

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.