Les Vêpres Siciliennes is one of Verdi’s misunderstood operas. It is usually presented to audiences today as I vespri Siciliani - that is, in a clumsy and pedestrian Italian translation and as such gives a false representation of Verdi’s original concept. This opera was composed for the Paris Opera to a libretto by Eugene Scribe, one of the greatest poets of the day and Charles Duveyrier. Verdi embraces the French idiom – the musical forms, the orchestration, the vocal writing – with the same grandeur and sense of occasion as Rossini and Meyerbeer before him. Certainly to give an opera in translation is no crime but to continually deprive the public of this particularly beautiful marriage of text and music is close to criminal. This is the third in the Verdi Originals series and this BBC recording of the opera finally restores the original French libretto.
Les vêpres siciliennes, like the similarly epic Don Carlos, was conceived as a grand opéra for Paris and is driven by the tensions between private passions and public politics. Originally set during Sicily’s 13th-century uprising against French rule, in Christof Loy’s staging for the Netherlands Opera the action is transposed to a 1940s world of sudden violence and shadowy double-dealing. Imaginatively cast and idiomatically conducted, the performance presents this magnificent score in its entirety, including the allegorical ballet The Four Seasons.
First seen at the Royal Opera House in 2013, this staging of Verdi's rarely-performed opera Les Vêpres siciliennes – directed by Stefan Herheim and conducted by The Royal Opera’s Music Director, Verdi specialist Sir Antonio Pappano – went on to win the prestigious Olivier Award for Best New Opera Production. The Sunday Times hailed it 'the best the Verdi year in Britain has to offer,' praising the standout event of the Verdi bicentenary celebrations. 'The Royal Opera has done its favourite composer proud.'
Les vêpres siciliennes, like the similarly epic Don Carlos, was conceived as a grand opéra for Paris and is driven by the tensions between private passions and public politics. Originally set during Sicily's 13th-century uprising against French rule, in Christof Loy's staging for the Netherlands Opera the action is transposed to a 1940s world of sudden violence and shadowy double-dealing. Imaginatively cast and idiomatically conducted, the performance presents this magnificent score in its entirety, including the allegorical ballet The Four Seasons.
Celebrating the work of Italy's greatest musical dramatist, this set of 12 operas includes definitive performances from some of the finest Verdi singers of our age, in productions which reflect the contemporary richness of our perspective of the composer as both a man of his time, inspired to reflect the familial tensions and revolutionary fervor of his homeland, and also a man of theatrical genius as timeless as his adored Shakespeare, whose anti-heroes Macbeth and Falstaff stand as the poles of tragedy and comedy in this survey of modern stagings.
A collaboration between Edgar Fruitier, classical music expert and collector, Cardinal Jean-Claude Turcotte and Cardinal Marc Ouellet, this 6 CD collection of sacred music is a classical's music lover's dream.
“The performances are notable for their sonorous beauty and musical refinement, matching the sensuality (sometimes veiled, sometimes impassioned) of their varied and captivating program…. A fascinating and beguiling disc." - 5 stars - Uri Golomb , Goldberg Magazine, April 2008
The sonics of this ATMA Classique recording are pristine and crystalline. The entire set possesses a Renaissance oil portrait patina, even in the more recent compositions. But this is not a dusty or dank patina. It is vibrant and colorful, sensual and pious. This may be the "classical" recording of the year.
This CD is really of excellent quality - musically like a record, and of course Ben van Oosten played here at the highest level. Dupre definitely knew what he was doing. This music is reminiscent of art rock and perfectly demonstrates the potential of the instrument. This is music of great size and monumentality. I think that with the help of this music it is impossible to achieve the same sound and the same scale on every other instrument. For some pieces of music on this CD, I like Ben van Osten's performance much better than Michael Murray's.