At the beginning of their career, Level 42 was squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band – whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes – had crossed over to the point where they were often classified as sophisti-pop and dance-rock, equally likely to be placed in the context of Sade and the Style Council as was any group that made polished, upbeat, danceable pop/rock. The band's commercial peak came with 1985's World Machine, but they continued to record and tour sporadically throughout the '90s and 2000s.
At the beginning of their career, Level 42 was squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes had crossed over to the point where they were often classified as sophisti-pop and dance-rock, equally likely to be placed in the context of Sade and the Style Council as was any group that made polished, upbeat, danceable pop/rock.
Contains the albums All That Noise (CD 1) plus alternate versions, mixes, instrumentals, demos, bonus unreleased live tracks, and an interview recorded in 1990 (CD 2), Melomania (CD 3), the Mayhem to Meditate EP & (dub) remixes (CD 4), the Lunar Surf EP & the Jukebox at Munsters 45, the previously unreleased lost third album & demos (CD 5).