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The boxset features 81 tracks including 71 all exclusive tracks, 4 revamped demo tunes never before released on CD, and 6 exclusive remixes by old school scene acts. Limited to just 800 copies the "Old School Electrology" set comes in a luxurious tall-pak digipak with a 36-page booklet.

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The music played at Prague university according to mid-15th-century sources, following the Hussite wars and the institution's renovation. The album provides a wide array of liturgical music, sacred pieces by young clerics, as well as music the university students played for entertainment. It features Gregorian chant, anonymous creations and compositions by Bernard de Cluny, Petrus Wilhelmi de Grudencz and Antonio da Cividale.

The music played at Prague university according to mid-15th-century sources, following the Hussite wars and the institution's renovation.

On March 11th, 1829, a barely twenty-years old Felix Mendelssohn conducted the performance of the St. Matthew Passion at the Berlin Singakademie. That event certainly ushered in the modern awareness about Bach’s role in the history of European music; with that awareness came the familiarity with the entirety of his output. However, the name “Bach” had been by no means erased after the interruption represented by the composer’s death, which had happened on July 28th, 1750, four months after his 65th birthday.

On March 11th, 1829, a barely twenty-years old Felix Mendelssohn conducted the performance of the St. Matthew Passion at the Berlin Singakademie. That event certainly ushered in the modern awareness about Bach’s role in the history of European music; with that awareness came the familiarity with the entirety of his output.

The stature of Johannes Brahms among classical composers is best illustrated by his inclusion among the "Three Bs" triumvirate of Bach, Beethoven, and Brahms. Of all the major composers of the late Romantic era, Brahms was the one most attached to the Classical ideal as manifested in the music of Haydn, Mozart, and especially Beethoven; indeed, Hans von Bülow once characterized Brahms' Symphony No. 1 (1855-1876) as "Beethoven's Tenth." As a youth, Brahms was championed by Robert Schumann as music's greatest hope for the future; as a mature composer, Brahms became the most potent symbol of musical tradition for conservative musical journalists, a stalwart against the "degeneration" represented by the music of Wagner and his school.