Giulinis Mahler recordings are few but notable. The earliest is of the First Symphony, made in 1971 with the Chicago Symphony Orchestra a performance that seems to radiate from within, full of delicate colours and telling details as well as a strong sense of architecture. Giulini conducted the Ninth Symphony for the first time at Florence in November 1971 before performing it on a number of occasions in Chicago, where he made his famous Deutsche Grammophon recording of the work in 1976.
Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin continue their exploration of Mahler with a new recording of Das Lied von der Erde, on which Dame Sarah Connolly and Robert Dean Smith provide the vocal contributions. Residing somewhere between symphony and song cycle, Das Lied is one of Mahler’s most profound and loved works, marking an important step in the composer’s career, as well as in his private life. Jurowski approaches the piece as Mahler’s deliberate move from a “heroic” Beethovenian model towards a more “lyrical”, Schubertian attitude.
Zupfgeigenhansel was a German folk duo, one of the most successful groups to emerge on the German folk scene in the 1970s…
Zupfgeigenhansel was a German folk duo, one of the most successful groups to emerge on the German folk scene in the 1970s…
Building from the jazz fusion foundation of Pretzel Logic, Steely Dan created an alluringly sophisticated album of jazzy pop with Katy Lied. With this record, Walter Becker and Donald Fagen began relying solely on studio musicians, which is evident from the immaculate sound of the album. Usually, such a studied recording method would drain the life out of each song, but that's not the case with Katy Lied, which actually benefits from the duo's perfectionist tendencies. Each song is given a glossy sheen, one that accentuates not only the stronger pop hooks, but also the precise technical skill of the professional musicians drafted to play the solos.
Gustav Mahler's Das Lied von der Erde is a symphony of six songs, usually performed by a tenor and a mezzo-soprano or baritone, as specified in the score. This 2017 Sony Classical release features superstar tenor Jonas Kaufmann as the soloist throughout, so the expected alternation of singers is replaced with one artist's unified interpretation. Joined by Jonathan Nott and the Vienna Philharmonic, Kaufmann displays a phenomenal tessitura that enables him to sing the tenor songs with great intensity while losing little of that power in his lower range. Even so, there is a qualitative difference between Kaufmann as tenor, where his tone is penetrating and heroic, and Kaufmann as baritone, where his voice is much rounder, warmer, and intimate.