Over a year in the making, drumming legend Virgil Donati's much anticipated solo record "In This Life" is destined to set the bar for explorations in rhythm. The album was produced, written and arranged by Donati, and mixed by Alex Argento. Virgil s drumming has arguably been at the leading edge for at least a decade, and as this record displays, his compositional and orchestration skills are also coming to the fore.
Peter Bernstein's second CD as a leader reunites him with pianist Brad Mehldau and once again features him in a quartet. However, both Bernstein and Mehldau had grown quite a bit as soloists during the previous two years (the pianist really tears into "Nobody Else but Me") and this time they are joined by the virtuosic bassist Christian McBride and drummer Gregory Hutchinson. In addition, the songs (five Bernstein originals and four standards) are stronger and challenge the soloists to play at their best. Among the highlights are "Jet Stream," "Jive Coffee" (Bernstein's sly revision of "Tea for Two"), "Will You Still Be Mine," and a tasteful "My Ideal" in addition to "Nobody Else but Me." An excellent effort.
Life Line Project is a project in the true meaning of the word. It is build around one musician, Erik de Beer, either playing all instruments himself or contracting all the necessary vocalists or players according to the needs of the work in progress. Born in The Hague, Holland Erik started to play the guitar when he was 14 years old and keyboard at the age of 16. Right from the start his preference was symphonic rock. Erik started his studies at the conservatory for music in 1977 and finished them in 1983. He now works as a guitar & keyboard teacher. He started his first symphonic rock band J.S. Quasar in 1975 in which he played both keyboards and lead guitar. After some short stays in several bands Erik founded keyboard-dominated power-rock trio Brancard in 1979…
When singer Sade and her band of the same name were establishing themselves, their record company, Epic, made a point of printing "Pronounced Shar-day" on the record labels of their releases. Soon enough, the music had no problem with the correct pronunciation. With the breakthrough Billboard Hot 100 Top Ten single "Smooth Operator" propelling the debut Sade album, Diamond Life, to the same spot on the Billboard 200 chart in 1985, the band fast came to epitomize soulful, adult-oriented, sophisti-pop…
The road to Ordinary Man was anything but ordinary. Osbourne started working on the LP after a serious fall forced him to postpone touring plans. During the tedious process of recovery, the Prince of Darkness found comfort by working on new material. “If it wasn’t for making this record, I would still be on traction, thinking, ‘I’m going to be lying here forever,'" the 71-year-old rocker previously confessed. "I’ve missed music so badly. My fans are so loyal and so good. Up until making the album, I thought I was dying. But that got me off my arse. … It’s the greatest album I’ve done.” Ordinary Man notably includes some high-profile collaborations, including Elton John, Guns N’ Roses’ Slash and Duff McKagan and Red Hot Chili Peppers drummer Chad Smith.
Roger Waters was Pink Floyd's grand conceptualist, the driving force behind such albums as Dark Side of the Moon, Wish You Were Here, and The Wall. In the wake of Syd Barrett's departure, Waters emerged as a formidable songwriter, but it's this stretch of '70s albums – each one nearly symphonic in its reach – that established him as a distinctive, idiosyncratic voice within rock and, following his departure from Floyd in 1985, he continued to create new works in this vein (notably, 1992's Amused to Death) and capitalized on the enduring popularity of his old band by staging live revivals of Dark Side of the Moon and The Wall in their entireties…
There are no surprises on Warren Hill's sixth disc Love Life. Hill is known for his soothing smooth saxophone playing, and while he gets tagged with the lite jazz moniker, he is really more of a pop artist than anything else. Love Life's title track features a horn duet with trumpeter Chris Botti, "Mr. Magic" is a tribute to the late saxophonist Grover Washington, Jr., "Why You Gotta Worry" touches on a pop-reggae beat, while "Mambo 2000" covers the Latin base, and rounding out the disc is a cover of the Commodores hit "Easy."