Light Chart

New Light Through Old Windows is the first compilation album by British singer-songwriter Chris Rea, released in 1988. The album consists primarily of re-recordings of songs from earlier albums, as well as the new track "Working on It", which peaked at No. 73 on the US Billboard Hot 100, and was Rea's only No. 1 on the Mainstream Rock Tracks chart. "On the Beach" peaked No. 9 on the US Adult Contemporary singles chart, and No. 12 on the UK Singles Chart. The album reached number five on the UK Albums Chart, charted for over a year, and was certified 3x Platinum by BPI until 1992. It charted in the Top 10 in New Zealand, Australia and West Germany.

The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970, by songwriters/multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of Beatlesque pop, classical arrangements, and futuristic iconography. After Wood's departure in 1972, Lynne became the band's leader, arranging and producing every album while writing virtually all of their original material…

ELO Part II were a band formed by Electric Light Orchestra drummer and co-founder Bev Bevan. The band also included former ELO bassist Kelly Groucutt, and violinist Mik Kaminski for most of its career, along with conductor Louis Clark who toured as a guest with ELO in its later years. After Bevan left the band in late 1999, he sold his half of the rights to the Electric Light Orchestra name back to Jeff Lynne, and the band changed its name to The Orchestra. Electric Light Orchestra Part Two is an album released by ELO Part II in 1990. "Kiss Me Red" was originally from Cheap Trick's album, The Doctor. In March 1991 "Honest Men" charted at number 60 on the UK Singles Chart, and 36 on the Dutch Top 40 chart.

ELO Part II were a band formed by Electric Light Orchestra drummer and co-founder Bev Bevan. The band also included former ELO bassist Kelly Groucutt, and violinist Mik Kaminski for most of its career, along with conductor Louis Clark who toured as a guest with ELO in its later years. After Bevan left the band in late 1999, he sold his half of the rights to the Electric Light Orchestra name back to Jeff Lynne, and the band changed its name to The Orchestra. Electric Light Orchestra Part Two is an album released by ELO Part II in 1990. "Kiss Me Red" was originally from Cheap Trick's album, The Doctor. In March 1991 "Honest Men" charted at number 60 on the UK Singles Chart, and 36 on the Dutch Top 40 chart.

ELO Part II were a band formed by Electric Light Orchestra drummer and co-founder Bev Bevan. The band also included former ELO bassist Kelly Groucutt, and violinist Mik Kaminski for most of its career, along with conductor Louis Clark who toured as a guest with ELO in its later years. After Bevan left the band in late 1999, he sold his half of the rights to the Electric Light Orchestra name back to Jeff Lynne, and the band changed its name to The Orchestra. Electric Light Orchestra Part Two is an album released by ELO Part II in 1990. "Kiss Me Red" was originally from Cheap Trick's album, The Doctor. In March 1991 "Honest Men" charted at number 60 on the UK Singles Chart, and 36 on the Dutch Top 40 chart.

Face the Music is the fifth studio album by Electric Light Orchestra released in 1975 and the first to be recorded in Musicland Studios Munich. The band featured yet another new line-up with bassist Kelly Groucutt and cellist Melvyn Gale replacing Mike de Albuquerque and Mike Edwards respectively.

In early 1990, when she was one of the biggest pop stars in the world, Gloria Estefan suffered a broken vertebrae when her tour bus was struck in an accident, and her miraculous recovery from that near tragedy greatly informed her successive album, Into the Light. Though often noted as a "comeback" album, that descriptor is misleading. Yes, Into the Light is a comeback – a comeback from her accident, that is. It's not a comeback in the sense that her previous album, Cuts Both Ways, had been a failure or even a disappointment. No, Estefan hadn't fallen off, so to speak, with that album. Quite the opposite. It was a monster hit, breaking into the Top Ten and scoring a couple of high-charting ballads: "Don't Wanna Lose You" and "Here We Are." It also marked a drastic shift away from the unabashed dance-pop of her Miami Sound Machine output toward a more respectable adult contemporary appeal. This shift affected not only her image but also her audience as a result, and that shift is even more apparent on Into the Light. In fact, the shift seems complete, as this is full-fledged adult contemporary album with serious themes and toned-down production.