Light Chart

New Light Through Old Windows is a compilation album by Chris Rea, released in 1988. The album consists primarily of re-recordings of songs released on earlier Rea albums, as well as two new songs, "Working on It" (which gave him a rare U.S. chart single, peaking at #73 on the Billboard Hot 100, and giving him his only #1 single on the Mainstream Rock Tracks chart) and "Driving Home for Christmas.", also the re-recording of "On the Beach" gave him another rare US hit, it peaked #9 on the US AC chart in 1988 and #12 in the UK chart.

New Light Through Old Windows is the first compilation album by British singer-songwriter Chris Rea, released in 1988. The album consists primarily of re-recordings of songs from earlier albums, as well as the new track "Working on It", which peaked at No. 73 on the US Billboard Hot 100, and was Rea's only No. 1 on the Mainstream Rock Tracks chart. "On the Beach" peaked No. 9 on the US Adult Contemporary singles chart, and No. 12 on the UK Singles Chart. The album reached number five on the UK Albums Chart, charted for over a year, and was certified 3x Platinum by BPI until 1992. It charted in the Top 10 in New Zealand, Australia and West Germany.

John O'Banion was an American vocalist and actor. He was born in Kokomo, Indiana in 1947 and was performing in theater by the age of 13 as well as in a local Indiana band Hog Honda & the Chain Guards. By age 15, he hosted his own radio show on WIOU and had hosted his own local television show by age 20. O'Banion was the lead singer in Doc Severinsen's band, "Today's Children". He was managed by Bud Robinson, also Doc's manager. They parted ways in early 1974. O'Banion said that Johnny Carson was a big fan and supporter of his career. O'Banion made five appearances on Carson's "Tonight Show", as many on Merv Griffin's and Mike Douglas' shows. He also appeared on American Bandstand, Solid Gold, and was the winning singer of the pilot of Star Search.

In early 1990, when she was one of the biggest pop stars in the world, Gloria Estefan suffered a broken vertebrae when her tour bus was struck in an accident, and her miraculous recovery from that near tragedy greatly informed her successive album, Into the Light. Though often noted as a "comeback" album, that descriptor is misleading. Yes, Into the Light is a comeback – a comeback from her accident, that is. It's not a comeback in the sense that her previous album, Cuts Both Ways, had been a failure or even a disappointment. No, Estefan hadn't fallen off, so to speak, with that album. Quite the opposite. It was a monster hit, breaking into the Top Ten and scoring a couple of high-charting ballads: "Don't Wanna Lose You" and "Here We Are." It also marked a drastic shift away from the unabashed dance-pop of her Miami Sound Machine output toward a more respectable adult contemporary appeal. This shift affected not only her image but also her audience as a result, and that shift is even more apparent on Into the Light. In fact, the shift seems complete, as this is full-fledged adult contemporary album with serious themes and toned-down production.