Lil Baby my Turn

Collection of 30 CDs on various styles (Love, Movies, R&B, Country, World and Rock). Although you may find the collection a bit outdated since the release is from 2001, it contains some great songs… so enjoy.

Even before the first KuschelRock album, Kuschelrock was named as a weekly nightly music program for HR3 radio station (HR3 broadcasts from Frankfurt, Germany), the author and host of this project was Thomas Koschwitz, who is considered to be the co-author of a number of albums in Kazle … After Sony Music patented the right to release a series of albums called "KuschelRock", the HR3 radio station can no longer air this night music show … And now Sony Music regularly releases every year on the album …

The 1920s “classic era” of recorded blues was dominated by women who lived and performed in the cities. This Rough Guide explores its glitzy heyday when singers such as Bessie Smith and Ma Rainey became the first real stars of the blues.

A massive compliation of the greatest Industrial, House, Electro, Techno, Euro House, Breakbeat, Hardcore, Acid, Downtempo, New Beat, Hard Trance, Trance, Big Beat, Tech House, Ambient, Synth-pop, Drum n Bass, New Wave music ever made.

Brothers Ron and Russell Mael from Los Angeles, USA have been making diverse music since 1969 under various incarnations of Sparks. In 1979 they ditched the guitars and keyboards of glam geek rock and started working with Italian producer Giorgio Moroder, beginning a love affair with electronic music. Since then they have worked with a variety of people including Finitribe, Les Rita Mitsouko, Erasure and Faith No More.

Buddy & Ella Johnson - 1953-1964 (1992) {4CD Box Set, Bear Family Records BCD 15479 DH}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.42 Gb | MP3 @320 -> 658 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 1953-64, 1992 Bear Family Records | BCD 15479 DH
Rhythm & Blues / Rock & Roll / Jazz / Swing / Blues / Early R&B / Jump Blues

Four discs (104 tracks in all) that exhaustively document the Mercury, Roulette, and Old Town output of big-band veteran Buddy Johnson, whose eternally swinging outfit was seductively fronted by his sister Ella (along with several interchangeable male crooners). Buddy's band wasn't as big as it once was during his Mercury tenure (tenor saxman Purvis Henson was at the core of the blazing horn section), but the tightly arranged New York-style sizzle remained.

John Lee Hooker was still churning out R&B-influenced electric blues with a rhythm section for Vee Jay when he recorded The Country Blues of John Lee Hooker, his first album packaged for the folk/traditional blues market. He plays nothing but acoustic guitar, and seems to have selected a repertoire with old-school country-blues in mind. It's unimpressive only within the context of Hooker's body of work; in comparison with other solo outings, the guitar sounds thin, and the approach restrained.
In addition to the original masterpiece, this remastered collector's edition also contains 8 bonus tracks, consisting of a number of solo recordings taped between 1951 and 1961.