Lily Bella

“Assassination Nation” is a 2018 American black comedy thriller film written and directed by Sam Levinson. It stars Odessa Young, Suki Waterhouse, Hari Nef, Abra, Anika Noni Rose, Colman Domingo, Maude Apatow, Joel McHale and Bella Thorne. High school senior Lily and her three best friends live in a world of selfies, emojis, snaps and sexts. But when their town of Salem is besieged by a massive data hack, resulting in half the citizens’ private info spewed into the public view, the community descends into anarchy. Lily is targeted after being falsely blamed for the hack—and bands together with her friends to survive a long, blood-soaked night. Ian Hultquist wrote the score.

Most music lovers have encountered George Frederick Handel through holiday-time renditions of the Messiah's "Hallelujah" chorus. And many of them know and love that oratorio on Christ's life, death, and resurrection, as well as a few other greatest hits like the orchestral Water Music and Royal Fireworks Music, and perhaps Judas Maccabeus or one of the other English oratorios. Yet his operas, for which he was widely known in his own time, are the province mainly of specialists in Baroque music, and the events of his life, even though they reflected some of the most important musical issues of the day, have never become as familiar as the careers of Bach or Mozart. Perhaps the single word that best describes his life and music is "cosmopolitan".

This three-disc retrospective contains eight never-before-available tracks, twenty b-sides, live and soundtrack cuts and twelve top 40 hits, including "Whenever I Call You Friend."
The California girl who wanted to be a Welsh witch has always been best when her mysticism and mooniness has been offset by harder-headed collaborators. Though this box set doesn't include the Fleetwood Mac stuff that made her name, it does pull together curious stuff she's done elsewhere: pre-Mac work with Lindsey Buckingham from the Buckingham Nicks days, duets with the likes of Tom Petty and Don Henley, and a few soundtrack numbers. The first two discs have everything worth saving from her five solo albums (actually, one disc would have done that too, though "Edge of Seventeen" appears in a live version rather than the hit), plus some B-sides, and the third has rarities and obscurities, including an enlightening demo of "Rhiannon." –Douglas Wolk