Linda Ronstadt in Hollywood

The most beautiful country & western songs by Donna Fargo, Freddy Fender, Dolly Parton Linda Ronstadt Emmylou Harris and many more on one compilation!

The most beautiful country & western songs by Donna Fargo, Freddy Fender, Dolly Parton Linda Ronstadt Emmylou Harris and many more on one compilation!

The most beautiful country & western songs by Donna Fargo, Freddy Fender, Dolly Parton Linda Ronstadt Emmylou Harris and many more on one compilation!

Lauren White is an extremely talented 20-year-old from Dallas-Fort Worth who has been studying under the same vocal coach as Norah Jones. Lauren blends the sensuality and vulnerability of Norah Jones with the vocal range of Linda Ronstadt combined with a voice that exhibits both emotional depth as well as nuance and delicacy. Lauren's first album features a wide array of songs and features Jazz Standards such as Love for Sale (Coel Porter) and At Last (M. Gordan, H. Warren).

Lauren White is an extremely talented 20-year-old from Dallas-Fort Worth who has been studying under the same vocal coach as Norah Jones. Lauren blends the sensuality and vulnerability of Norah Jones with the vocal range of Linda Ronstadt combined with a voice that exhibits both emotional depth as well as nuance and delicacy. Lauren's first album features a wide array of songs and features Jazz Standards such as Love for Sale (Coel Porter) and At Last (M. Gordan, H. Warren).

The Sunshine Company's very name summons the spirit of the mini-genre of 1960s pop-rock that, long after its heyday, was named sunshine pop. So does their music, with the requisite exquisite multi-part male-female harmonies, buoyant optimism, and luxuriant late-1960s L.A. studio production. Look a little under the surface, though, and you find tinges of eccentric melancholy that set them apart from many of the frothy Mamas and the Papas-like groups of the period. Just as their music was more multi-dimensional than you might be led to believe by their trio of Top 100 hits, so was their story more complex than many would imagine. Could there have been any other band whose brief career whisked them through the orbits of the Carpenters, the Fifth Dimension, Jackson Browne, the Jefferson Airplane, Mary McCaslin, and John Davidson, ending at the even unlikelier destination of a pre-stardom Gregg Allman?

The Sunshine Company's very name summons the spirit of the mini-genre of 1960s pop-rock that, long after its heyday, was named sunshine pop. So does their music, with the requisite exquisite multi-part male-female harmonies, buoyant optimism, and luxuriant late-1960s L.A. studio production. Look a little under the surface, though, and you find tinges of eccentric melancholy that set them apart from many of the frothy Mamas and the Papas-like groups of the period. Just as their music was more multi-dimensional than you might be led to believe by their trio of Top 100 hits, so was their story more complex than many would imagine. Could there have been any other band whose brief career whisked them through the orbits of the Carpenters, the Fifth Dimension, Jackson Browne, the Jefferson Airplane, Mary McCaslin, and John Davidson, ending at the even unlikelier destination of a pre-stardom Gregg Allman?