German baritone saxophonist and composer Kira Linn presents her latest work Illusion, alongside her six-piece band – the Linntett. The album moves in genres ranging from pop to jazz and indie to electro, neo-soul and R&B, played by three saxophones (Linn on baritone, Nino Wenger on alto and Christoper Kunz on tenor) as well as Rhodes (Lukas Großmann), electric bass (Lukas Keller) and drums (Johannes Koch).
Although they never enjoyed the national fame, Linn County was one of the most musically sound, in-demand and highly admired outfits in the Bay area. To trace the roots of Linn County's genealogy, one must venture back to their early days to the home state of Iowa when they were known as the Prophets. An unusual late-'60s band that combined horn-embellished soul-rock with more interesting material utilizing jazz-colored arrangements and somewhat spacy songwriting. There were few parallels for this kind of thing at the time, other than perhaps the only slightly less obscure Insect Trust.
In 1968, the band signed with Mercury Records, moved to San Francisco, California, and changed its name to Linn County…
Kuniko Kato, who goes by the single name Kuniko, is an emerging Japanese marimba and vibraphone virtuosa who stirred up considerable attention with her 2011 release kuniko plays reich. Cantus, which is curiously named, expands on the transcription ideas developed for the earlier release. Kuniko sets out to expand the sonic vocabulary of her percussion instruments through the use of various mallets and strike techniques. This is an extremely intriguing idea, for latter-day developments in minimalist music have involved experiments with extending its range without losing its basic aesthetic.
This album is the perfect opportunity for you, not only to sample the best music from a selection of Linn Records’ artists but to also sample the delightful sound quality of the new Super Audio CD format.
The album is packed full with some of the very best vocal and instrumental material, featuring classical, folk and instrumental jazz. Martin Taylor’s instrumental jazz version of Johnny and Mary deserves full marks – this is one classy piece of music.