Live at The Village Vanguard

Junko Onishi Trio - Live At The Village Vanguard (1994) {Blue Note CDP 7243 8 31886 2 8}
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© 1994 Blue Note / Somethin' Else Records / Toshiba-EMI | CDP 7243 8 31886 2 8
Jazz / Post Bop / Jazz Piano Trio

This is a memorable set. When pianist Junko Onishi performs songs from the likes of Charles Mingus ("So Long Eric"), John Lewis ("Concorde"), and Ornette Coleman ("Congeniality"), she interprets each of the tunes as much as possible within the intent and style of its composer.

John Coltrane's week at the Village Vanguard in 1961 resulted in a total of 22 recorded versions of nine songs, all of which have been released in the four-CD box The Complete 1961 Village Vanguard Recordings. This 1998 single CD has the five performances that the great saxophonist had agreed to have released during his lifetime: three numbers from the original Live at the Village Vanguard LP ("Spiritual," "Softly as in a Morning Sunrise," and "Chasin' the Trane") and two songs that appeared on Impressions (the title cut and "India"). Although branded as "anti-jazz" by John S. Wilson (an attack that was seconded by Leonard Feather), the music is actually quite coherent and would even be thought of as moderately conservative today, particularly "Spiritual" and the boppish rendition of "Softly"…

Chris Potter's quartet Underground should be looked upon as one of the many facets in the saxophonist's prismatic view of contemporary jazz. Certainly the band is oriented toward a progressive jazz image with the electric guitar work of the brilliant Adam Rogers and Craig Taborn's witty and pungent Fender Rhodes keyboard. Assumedly the concept of Underground harks somewhat to the fusion of Miles Davis, Herbie Hancock, and Chick Corea. But Potter's vision with this combo goes beyond those static and funkier values, entering a wilder, unabashed, and fierce aggression that cannot be corralled. In live performance at the storied Village Vanguard nightclub in Greenwich Village, you expect and receive long drawn-out compositions, extended solos especially from Potter, and new music tried out as audience experiments.

Junko Onishi Trio - Live At The Village Vanguard II (1994) {Blue Note CDP 7243 8 33418 2 8}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 132 Mb
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© 1994 Blue Note / Somethin' Else Records / Toshiba-EMI | CDP 7243 8 33418 2 8
Jazz / Post Bop / Jazz Piano Trio

This is a follow up release of additional material from the May 1994 concerts at the Village Vanguard by the 20-something piano sensation, the first volume having been released in 1995 to wide attention. Onishi is a master of the post-bop piano, playing with speed and command. She is also characterized by a heavy-handed, propulsive approach.

John Coltrane - Live At The Village Vanguard Again! (1966) {Impulse!-Verve Originals B0015827-2 rel 2011}
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© 1966, 2011 Impulse! / Verve / UMG | Verve Originals Series | B0015827-2 | LP AS-9124
Jazz / Avant-Garde Jazz / Free Jazz / Post Bop / Saxophone

John Coltrane returns to the Village Vanguard – but his sound here is a lot more far-reaching than a few years before! The album's a great counterpart to the first Vanguard session – as it takes all of the bold, soaring energy of that date, and balances it with the newly introspective sound of the later Coltrane years – plus some of the freedoms learned from the Love Supreme era. The group here showcases the new territory explored by Coltrane – with Trane himself on tenor, soprano, and a bit of bass clarinet (echoing earlier Dolphy), plus Pharoah Sanders on additional tenor, Alice Coltrane on piano, Jimmy Garrison on bass, and Rasheid Ali on drums. The album only features 2 long tracks – an incredibly soulful version of "Naima", and a very firey version of "My Favorite Things", but one that begins with a haunting bass solo by Garrison!