Live

Halloween was Frank Zappa’s favorite holiday & by 1977 his Halloween shows were legendary. Recorded live at The Palladium in NYC, Zappa performed 6 shows 28-31 October. 4 shows were filmed & resulted in Zappa’s movie “Baby Snakes.” The Halloween 77 box includes all 6 shows in their entirety, mixed in 2016 from original Vault masters, on USB stick in 24-bit WAV audio with 32-page digital booklet, Zappa Halloween mask & costume. The shows rock hard & feature unreleased performances & arrangements.

For Elvis fans, it's Christmas every day! As if the royal archives were a bottomless pit. And when you imagine the unreleased out of stock, Legacy Recordings releases new rarities like a magician showing a rabbit in his hat. On the menu for the summer of 2019, this crazy Live 1969, box set maousse (216 titles!) Celebrating the 50th anniversary of Elvis concerts at the International Hotel in Las Vegas. After eight years of absence, the King was back on stage by polling 57 concerts showing all full! It is during these shows where he is supported by choirs, Imperials and Sweet Inspirations and musicians side, a large band and a group that will become the TCB Band, which he will sing for the first time live his mythical Suspicious Minds.

UMR is proud to announce PETE TOWNSHEND LIVE > IN CONCERT 1985-2001 an expanded 14-CD box set and digital set featuring seven long-out-of-print live albums by Pete Townshend.

Formed in the culturally distinct Tyneside area of England’s North-East in 1968, Lindisfarne blended the mercurial songwriting talent of singer/guitarist Alan Hull with ‘sweet and sour’ harmonies, proud references to their homeland and a boozy, uplifting acoustic-rock swagger that won over the masses in Britain in the early 70s

Last year, Clapton hosted and curated the seventh instalment of his Crossroads Guitar Festival on September 23 and 24 at the Crypto.com Arena in Los Angeles, CA. It notably marked the event's return after a four-year break, selling out the iconic arena on both days. Once again, Clapton carefully assembled a powerhouse cohort of influential guitarists representing various eras and styles.

Stax Records, an imprint of Concord Bicycle Music, is pleased to announce the release of Otis Redding – Live At The Whisky A Go Go: The Complete Recordings. In chronological order, this six-CD collection presents the entirety of Redding’s historic performances over three nights at the famed Sunset Strip venue. The seven sets, recorded Friday, April 8th – Sunday, April 10th, 1966, feature the singer’s popular songs of the time, including “Respect,” “I’ve Been Loving You Too Long” and his cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Several of these recordings–all remixed and remastered from the original 4-track analog tapes–will be made available for the very first time on October 21. In fact, this collection will be the first to offer fans the chance to relive all of the sets in their entirety–including between-song banter by Redding–exactly as they were performed. Rounding out the package is a poster, plus new liner notes from Los Angeles-based journalist Lynell George and box set co-producer Bill Bentley.

Here is the third and last instalment in the ‘Live at the Théâtre des Champs-Élysées’ series of Mozart operas conducted by Jérémie Rhorer. After Die Entfuhrung aus dem Serail and La clemenza di Tito comes Don Giovanni, recorded in 2016. On the occasion of the performances (directed by Stéphane Braunschweig) during which Radio France recorded the present discs, Le Figaro wrote: ‘Jérémie Rhorer expertly conducted his orchestra “Le Cercle de l’Harmonie”.

"A comprehensive anthology of music from the mythic first leg of Bob Dylan's groundbreaking Rolling Thunder Revue, this 14CD box set includes all five of Dylan’s full sets from that tour that were professionally recorded.

Handel’s dramatic opera-oratorio Semele, which was recorded from a live performance at London’s Alexandra Palace Theatre in May 2019.

There are masterpieces of music history that are simply forgotten for a while before they are rediscovered in a later era as a mirror of one's own sensitivities. The reasons for this forgetting are manifold - in the case of Paul Dessau's fairy-tale opera Lanzelot, they are probably clearly political.