Living in The Past

Jethro Tull - Living In The Past (1972) [2CD] {Japan Mini LP Edition 2004}
EAC rip (secure mode) | FLAC+CUE+LOG -> 505 Mb | MP3 @320 -> 197 Mb
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© 2001 Toshiba-EMI / Chrysalis | TOCP-67369/70
Rock / Prog Rock / Art Rock

With hit albums like BENEFIT and AQUALUNG (as well as a spectacular live show), Jethro Tull became one of rock's most popular bands by the early '70s. While many were quick to categorize its music as prog-rock (а la Yes, Genesis, etc.), Tull also dabbled in folk, jazz, heavy metal, and blues. After the K161success of the band's previous two albums, Chrysalis Records issued the double album LIVING IN THE PAST, a mix of hits, important album tracks, single/EP-only material, and previously unreleased live tracks.

Originally released in 1972, Living in The Past was a double LP compilation album which featured album tracks, outtakes and singles. Now mixed by Steven Wilson, this release is next in the series of Tull boxed sets with the Live at Carnegie Hall show also remixed.

Living in the Past is a double album quasi-compilation collection by Jethro Tull which contains album tracks, outtakes, the "Life Is A Long Song" EP, and all of their singles non-lp tracks except "Aeroplane", "Sunshine Day", "One For John Gee", "17" and the original United Kingdom version of "Teacher" (the United States single version, included in the US version of "Benefit", was included instead).

Listen to this collection, put together to capitalize on the explosive growth in the group's audience after Aqualung, and it's easy to understand just how fine a group Jethro Tull was in the early '70s. Most of the songs, apart from a few heavily played album tracks ("Song for Jeffrey," etc.) and a pair of live tracks from a 1970 Carnegie Hall show, came off of singles and EPs that, apart from the title song, were scarcely known in America, and it's all so solid that it needs no apology or explanation…

Listen to this collection, put together to capitalize on the explosive growth in the group's audience after Aqualung, and it's easy to understand just how fine a group Jethro Tull was in the early '70s. Most of the songs, apart from a few heavily played album tracks ("Song for Jeffrey," etc.) and a pair of live tracks from a 1970 Carnegie Hall show, came off of singles and EPs that, apart from the title song, were scarcely known in America, and it's all so solid that it needs no apology or explanation. Not only was Ian Anderson writing solid songs every time out, but the group's rhythm section was about the best in progressive rock's pop division. Along with any of the group's first five albums, this collection is seminal and essential to any Tull collection, and the only compilation by the group that is a must-own disc.