Local Induction

Learn the Fundamentals of Functions, Graphs, Trigonometry, and Analytic Geometry

Mesmerizing field recordings from Botswana. Producer/recordist/Grammy winner Ian Brennan ventured to an end-of-the-road location to document songs sung in Taa, a rich language on the verge of extinction. This captivating music is created by solo and layered voices, handclaps, found percussion and thumb piano.

Principles and Practice

"Can I get a hallelujah, can I get an amen?" sings Texas-born, Nashville-dwelling Maren Morris on "My Church," the lead single from her debut full-length, HERO. Though "sing," however, might not be the most appropriate verbiage – she belts, more like it, in her dynamic range that can growl soulfully one moment and twangily howl the next. It's an honest performance from an artist and writer who stands out for the singular point of view, sheer creativity and fearless approach to music she's developed since she began performing and writing as a young child. Using the boldest colors from across many genres as her palate and country as her canvas, Morris' stories are vivid paintings that can be gleefully fun, tearfully heartbreaking and a perfect balance of modern and timeless.

This book attempts to answer these questions. Chapters cover such topics as surgical infections, microbiota therapy in sepsis, cytokines for host immune response, and the role of serum amyloid A in the acute phase of sepsis.

Fixed Income | Convertible Bonds | Structured Products | Mortgage Backed Securities (MBS) | Asset Backed (ABS) | CDOs

Robert Leroy Johnson was an American blues singer, songwriter and musician. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Johnson's poorly documented life and death have given rise to much legend. The one most closely associated with his life is that he sold his soul to the devil at a local crossroads to achieve musical success. He is now recognized as a master of the blues, particularly the Delta blues style. As an itinerant performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recorded at low fidelity in improvised studios, were the totality of his recorded output.