If you weren’t fortunate enough to make it to this concert - or even if you were - this has to be one of Billy’s best gigs and one of the best documented. None of that holding your mobile over your head and annoying everyone else behind you, then missing it all and having a wobbly, screechy video that no one wants to see again. This is a multi-camera epic recorded in stunning 5.1 surround sound make you feel like you were sat in seat 3B and that if you shout ‘Play A New England’ loud enough, Billy might hear you - he’d still ignore you but it’s the thought that counts.
The Water Music and the Music for the Royal Fireworks mark two chronological extremes of Handel's career in London. The first was written in his earlier years in England, presumably by 1717, to entertain a royal party sailing up the Thames, while the second was commissioned to celebrate the Peace of Aix-la-Chapelle in 1749. Both occasions called for outdoor music, a form in which Handel was to demonstrate a particular skill during the years that he provided music for the gardens at Vauxhall.