Lucky 2021

Academy and Emmy-winning composer Rachel Portman has teamed up with Emmy-nominated Jon Ehrlich on the new Hulu miniseries We Were the Lucky Ones, a World War II drama based on true events. Creating beautiful music that juxtaposes the madness of war could prove quite a difficult undertaking but Portman and Ehrlich find the balance between the light and the dark, resulting in an emotionally layered, dimensional, and effortlessly vibrant soundtrack.

The December 13, 1992 Boston Garden show came in the midst of the Bruce Springsteen 1992–1993 World Tour, which saw The Boss hitting the road for the first time without the E Street Band (save for keyboardist Roy Bittan). Bruce had dissolved the band in 1989 and recorded the 1992 companion albums Human Touch and Lucky Town, of which the tour was in support, without his famed backing group.

Brilliant follow-up to his 2021 top 40 debut album Steady, showing his wide musical range with blues at the core, flavored with lot more soul, funk, gospel, folk and pop, accompanied by Luckys palpable urgency on guitar and his extraordinary, soul-soaked vocals.

Pentatonix est un groupe de chanteurs a cappella américain originaire du Texas. C'est au collège que le trio d'amis Kirstie Maldonado (mezzo-soprano), Mitch Grassi (contre-ténor) et Scott Hoying (baryton) se forme afin de participer à un concours permettant de rencontrer les acteurs de Glee. S'ils ne gagnent pas le concours, ils attirent néanmoins l'attention sur eux. Poursuivant leurs études dans le supérieur, ils continuent la musique et, souhaitant participer au télécrochet de NBC The Sign-Off, trouvent deux autres chanteurs pour répondre aux critères de l'émission. Avi Kaplan (basse) et Kevin Olusola (beatboxer) intègrent le groupe qui gagne la troisième édition. Les tournées s'enchaînent, six albums sont enregistrés et le groupe obtient en 2015 un Grammy Awards.

Pentatonix prove they're smooth like "Butter" by whipping up a mash-up of two Billboard Hot 100 No. 1 hits from BTS.

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle, The Light at the Edge of the World, Puppet on a Chain, Lucky Luciano, Cristo si è Fermato a Eboli, Anna Karenina, Finché c’è guerra c’è speranza, Viaggio con papà, Fumo di Londra are just a few gems among many more. With great versatility, Piccioni incorporates jazz, funk, fusion, bossa, classical and contemporary 20th Century symphonic elements into his kaleidoscopic sounds which have been the lush sonic backdrop for everything from psychedelic, political, thriller, horror, romantic, comedy, western, classic novel adaptations, mythological, historic and epic film productions of the golden age of Italian and international cinema spanning four decades.

Richard Bennett is an American guitarist, sideman, session musician, and record producer. As a touring sideman, he performed with Neil Diamond for 17 years, and Mark Knopfler since 1994. As a session player, he has worked with artists ranging from Billy Joel and Barbra Streisand to Rodney Crowell and Vince Gill. He has produced Grammy award winning artists like Steve Earle, Emmylou Harris, and Marty Stuart.