A follow up to The Studio Albums 1996-2007 release in October 2021, is a second collection of Mark Knopfler studio albums, including Get Lucky (2009), Privateering (2012), Tracker (2015) and Down The Road Wherever(2018) plus a collection of studio b-sides and bonus tracks and two previously unreleased songs – ‘Back In The Day’ and ‘Precious Voice From Heaven’. Audio has been overseen by original mastering engineer Bob Ludwig at Gateway Mastering. This is a mini-vinyl style 6CD collection in a clamshell-style box. Original studio albums housed in gatefold sleeves with folded printed lyric sheets. Bonus disc in single sleeve wallet with lyrics insert, plus 5 art cards.
First of two double CDs exploring the substantial contributions to American music by the amazingly talented Henry Glover who was one of the first African-American executives and producers in a white owned record company. Glover did it all - he was a producer, arranger, songwriter, publisher, talent scout, trumpet player and label owner. He started off playing with the Lucky Millinder band in the early 40s and quickly became arranger for the band and songwriter for the band's many great vocalists. Soon he was writing and producing for Syd Nathan's King label and in 1948 was put on staff by Nathan and the majority of the recordings here are from King along with some covers of King hits by artists on other labels.
This Is How I Feel About Jazz is a 1957 album by Quincy Jones. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band. Musicians on the album include Art Farmer, Phil Woods, Lucky Thompson, Hank Jones, Paul Chambers, Milt Jackson, Art Pepper, Zoot Sims, and Herbie Mann. The bonus tracks on the CD release include compositions by Jimmy Giuffre, Lennie Niehaus and Charlie Mariano.
Johnnie Bassett has been the most populist bluesman in Detroit for many decades, and his scant few dates for independent labels have been regarded internationally as the best sounding recordings of his peer group. Now with national U.S. distribution from Mack Avenue Records, Bassett has a chance to break out on the commercial scene with a set of contemporary originals that can appeal to a wide range of listeners. His sleek and clean vocal style cannot be mistaken for anything other than what it is, with a sweetness and light that supersede any scolding he might dole out. An economical guitarist who is, to say the least, understated, Bassett keeps a light groove going, punctuated by the equally concise and controlled organ playing of Chris Codish. with his regular trio the Brothers Groove. A small horn section comprising some of the Motor City's best musicians join the band as they strut through this program of simplified, easygoing, no-nonsense current day blues.