Even more impressive than his previous Alligator set, thanks to top-flight material like "Don't Cloud Up on Me," "Let the Chips Fall Where They May," and "Locked Out of Love," the fine house band at Greenlee's King Snake studios, and Peterson's own rapidly developing attack on two instruments.
More quality dance floor material from Jaques Fred Petrus and Mauro Malavasi steeped in the quality tradition of 80s groove with flair, finesse, panache and SOUL. Here we have a real treat with early performances from young superstars in waiting Alyson Williams and the delicious, delicious Meli'sa Morgan. Helping them shine resplendently is Eric McClinton from one-time Motown outfit Eric & The Vikings. Not only do we have a good album here we have discerning liner notes from 'me old mucker', David Cole of In The Basement magazine. This man's devotion to quality music and his expansive knowledge are first rate and it is fitting to employ him for liner notes such as these.
The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP.
Lucky Thompson was very active in the recording studios during his 1956 visit to France; this CD in Verve's attractive Jazz in Paris reissue series features the big toned tenor saxophonist with both a quartet and a tentet. Thompson's lush sound in sensitive interpretations of "The Man I Love" and the less familiar ballad "There's No You" brings Ben Webster to mind. Thompson's original "Tight Squeeze" is an up-tempo jump blues which showcases his harder blowing, more boppish side; while the venerable standard "Gone With the Wind" is a brisk swinger. Pianist Henri Renaud leads the potent rhythm section. The tentet session is less memorable. All of the songs were written by Renaud, and while they are comparable to much of the output of so-called "cool school" of the period, they tend to be a little too conservative. Still, Thompson's playing is at a high label throughout both dates, so bop fans should invest in this enjoyable CD.
Tenor saxophonist Zoot Sims recorded quite a few albums with pianist Jimmy Rowles during his Pablo years; all are recommended. Rowles assisted Sims in coming up with obscurities to interpret, and this CD reissue is highlighted by such little-performed songs as "If I'm Lucky," "Shadow Waltz," "Gypsy Sweetheart" and "I Wonder Where Our Love Has Gone." The lead voices are backed ably by bassist George Mraz and drummer Mousey Alexander on this enjoyable straight-ahead date.