Lump is the product of Brit Award-winning Laura Marling and Mercury Prize-winning Mike Lindsay. Lump's stunning and essential second album Animal is released on Chrysalis Records and Partisan Records and is a vivid and psychedelic masterpiece. Animal was a word Laura Marling threw into a lyric simply to meet a rhythm. But it seemed to capture the mood of the new record, and of Lump as a whole. “There’s a little bit of a theme of hedonism on the album, of desires running wild,” she says. “And also it fed into the idea we had from the start of thinking of Lump as a kind of representation of instincts, and the world turned upside down.” It is something childlike and grotesque and filled with possibility, they say. “We created Lump as a sort of persona and an idea and a creature,” says Mike Lindsay. “Through Lump we find our inner animal, and through that animal we travel into a parallel universe.”
The Best of lump Records is finally out, featuring 22 tracks, the finest selection among their discography, a resume of the vibes that makes the label to have a solid imprint in Downtempo organic Music thanks to the support and collaboration with various producers.
Lump Records frames into the research of sounds that come from cultures in which music is part of the spiritual process of awakening and bring those vibrations to the dance floor of some of the most important clubs and festival worldwide.
Critics praised the bands catchy, humorous, and self-deprecating songs, which were a major departure from the grunge/post-grunge sound present on the airwaves. The album received Grammy nominations in 1996 and 1997. Though "Peaches" met the most critical success, the band credits "Lump" as their favorite single…
The third (and final, according to the album's subtitle) chapter of New York DJ Funkmaster Flex's mix albums is the best of the bunch, a gritty combination of old- (A Tribe Called Quest, House of Pain, Naughty By Nature) and new-school rappers (Missy Elliott, Wu-Tang Clan, Busta Rhymes).
Largely continuing the blueprint of A Sense of Direction, Relativity finds Walt Dickerson mixing standards with adventurous yet upbeat originals. This time around, though, there's a subtext to Dickerson's standards selection: all three – "It Ain't Necessarily So," "I Can't Get Started," and "Autumn in New York" – had been previously recorded by Milt Jackson, which invited explicit comparisons and gave Dickerson a chance to show off how distinctive and pioneering his Coltrane-influenced approach to vibes really was.
Critics praised the bands catchy, humorous, and self-deprecating songs, which were a major departure from the grunge/post-grunge sound present on the airwaves. The album received Grammy nominations in 1996 and 1997. Though "Peaches" met the most critical success, the band credits "Lump" as their favorite single…
The Presidents of the United States of America (occasionally referred to as PUSA, The Presidents or Pot USA) was an American alternative rock power trio band formed in Seattle, Washington, in 1993. The three-piece group's initial line-up consisted of vocalist and bassist Chris Ballew, drummer Jason Finn, and guitarist Dave Dederer; Dederer eventually left the group and was replaced by Andrew McKeag. The band released six studio albums and was best known for its hits "Lump" and "Peaches", released in 1995 and 1996 respectively. Another well-known song was "Kitty", which helped popularize their self-titled debut album.