The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll. Sandwiched in between the abrasive classics of "Cinderella" and "Don't Be Afraid of the Dark" (with the Wailers on backing vocals), the funk sass of "The Hustler" and "Shot Down," the demonic "He's Waitin'," and the sledgehammer, inside-out version of "Louie, Louie" (only three chords to play and they don't even play 'em) are the band's straight-ahead takes on old R&B chestnuts like "Skinny Minnie," "Let the Good Times Roll," "Don't You Just Know It," "Since I Fell for You," "Hitch Hike," and a nice barn-burning version of "Jenny Jenny." Where the Wailers cut down the trees and paved the highway, the Sonics were the first group from their neck of the woods to take that music somewhere wilder than their original inspirations. The second chapter of Northwest rock & roll after you absorb the Wailers' Golden Crest sides.
Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.
The Elvis Presley series of Legacy Edition multi-disc packages continues its focus on important phases of the king’s recording career at RCA Records. Forty years after its release in 1971, Elvis Country, an LP that found him getting back in touch with the Nashville country music mainstream, is the lynchpin for Elvis Country: Legacy Edition, the newest entry in the series. Included in the new package on CD one is the original 12-song Elvis Country (“I’m 10,000 Years Old”), first released in 1971. Three bonus tracks are drawn from the original recording sessions of June and September 1970. On CD two, from the June sessions, comes the original 11-song Love Letters From Elvis also with three bonus tracks from the original sessions.
Revered for decades as one of the Kings of Memphis Rockabilly for the scintillating records he made for Sam Phillips' legendary Sun imprint, the late Warren Smith was always a country boy at heart. After the rock 'n' roll boom was over he cut some of the best hardcore country shuffles of the early 60s. It was R 'n' R that built Warren's reputation, but honky tonkin' country that gave him his hits and made him a frequent visitor to the Billboard Country Charts between 1960 and 1964.
Matangi is the fourth studio album by British-Tamil recording artist M.I.A., released in November 2013 on her own label, N.E.E.T. Recordings, through Virgin and Interscope Records. Songwriting and production for the album were primarily handled by M.I.A. and Switch, with additional contributions from Hit-Boy, Surkin, Danja and The Partysquad.