m Tron

The GForce M-Tron Pro virtual instrument is an incredible emulation of the classic Mellotron—the unique tape-playback keyboard used by such luminaries as The Beatles, Yes, David Bowie, Led Zeppelin, The Moody Blues and Radiohead.
The 3.5GB sound library of the GForce M-Tron Pro features over 200 tape banks (sample sets) including 19 of the original GForce M-Tron tape banks, which have been remastered at London’s legendary Abbey Road Studios.

M-Tron Pro IV – with the best Mellotron® M400 library in the digital realm. GForce’s M-Tron Pro IV delves into the iconic Mellotron M400, a tape-based keyboard famous for its use in recordings by renowned artists like The Beatles, Led Zeppelin, Radiohead, Oasis, Trent Reznor, Trentemøller, AIR, Nils Frahm, and many others. Its distinct sounds are widely utilised in genres such as progressive rock and indie rock but also lo-fi and hip hop.

M-Tron Pro is the industry standard emulation of the classic Mellotron - the unique tape playback keyboard originally manufactured in the UK in the early 1960s and made famous by such luminaries as The Beatles, Yes, Led Zeppelin and The Moody Blues.

The M-Tron Pro virtual instrument is a remarkable emulation of the classic Mellotron — the unique tape playback keyboard made famous by such luminaries as The Beatles, Yes, Led Zeppelin and The Moody Blues.

The M-Tron is modeled on the legendary British instrument, the Mellotron. This instrument was manufactured in various guises between 1963 and 1986 and was used by artists including The Beatles, The Moody Blues' Mike Pinder, Black Sabbath, Rick Wakeman and Genesis' Tony Banks. The instrument faded into semi-obscurity during the 80's and early 90's, but due, in part, to its evocative and unique nostalgic sound, it was rediscovered and used by artists including Oasis, Radiohead, Kasabian and countless others.

Hacker/arcade owner Kevin Flynn who is digitally broken down into a data stream by a villainous software pirate known as the Master Control and reconstituted into the internal, 3-D graphical world of computers. It is there, in the ultimate blazingly colorful, geometrically intense landscapes of cyberspace, that Flynn joins forces with Tron to outmaneuver the Master Control program that holds them captive in the equivalent of a gigantic, infinitely challenging computer game.

I wish to extend my warm greetings to you all on behalf of the TRON Association, on this occasion of the Seventh International TRON Project Symposium. The TRON Project was proposed by Dr. Ken Sakamura of the University of Tokyo, with the aim of designing a new, comprehen­ sive computer architecture that is open to worldwide use.

While Tron Syversen and his nine albums of “music for relaxation and wellbeing” are best known in his native Norway and northern Europe, he is poised for wider recognition as a rising star in the US and world markets. With song titles like “Dreamland,” “Cradle Song,” and “A Quiet Evening,” it is obvious that the focus of this album is not only on relaxation, as is most of Tron’s music, but on creating a portal to peaceful slumber. From the first song, “Lullaby For You,” the mood is set by gentle orchestrations with classical overtones and the angelic wordless vocals of Elin Lokken.