A sensational album of these great musicians, with the participation of Django Reinhardt, Sarane Ferret, and Didi Duprat.
"…In spite of Brecht’s often heavy-handedness, the opera has plenty of pertinent points to make today. The Blu-ray looks great, even in the many very dark scenes, and the impact of the lossless surround track is excellent. I find that of the three productions, I’ll stick with this one now, and not just because it’s Blu-ray. You may want to keep the English subtitles on the screen to appreciate the details of the lyrics, which are not always discernible. 5 Stars." ~audiophile-audition
This is a Great Classical piece for the lovers of classical, as well as the ones who may hate it. These Adagios CDs get beter and better each time there is a new release. I must warn you there some good as well as some bad ones. There is a certain Adagio flavor for everyones.
Buldožer was Yugoslav-Slovenian progressive rock band from 1970s and 1980s. They were one of the first bands in communist Yugoslavia that could be considered alternative, and forefathers of the Yugoslav new wave. In musical sense, they were experimenting with a variety of genres, while most of their lyrics, written in Serbo-Croatian, were a satire and mocking the political and musical establishment, themselves included. Buldožer was the first Yugoslavian rock band who released an album in a compact disc format—compilation album Nova vremena in 1989.
The plot to Il burbero di buon cuore was taken from a 1771 play by Goldoni, Le bourru bienfaisant. As with all of Goldoni’s mature comedies, stereotypes of commedia dell’arte and old Roman farce are humanized with vivid personal detail. Thus, the Bartolo-like antagonist, Ferramondo, isn’t a conventional blusterer, but a kindly, well-intentioned man who is easily irritated and possesses a hair-trigger temper. His niece, Angelica, is too frightened to do more than equivocate before her uncle. This, of course, only drives him quickly up a wall… Barry Brenesal
Although never succeeding like their contemporaries, multi-instrumentalist and songwriter Wilson Malone's band, the Orange Bicycle, issued late-'60s recordings that occasionally managed to hit the mark with their "U.S. West Coast harmony pop meets U.K. psychedelic pop" style. The early singles released on Columbia during 1967 and 1968 are resplendent with the motif-sweet harmonies, splashes of harpsichord, and fuzz guitar that filled the flower power era…