Elie Siegmeister (b. January 15, 1909, New York City – March 10, 1991, Manhasset, New York) was an American composer, educator and author. His varied musical output showed his concern with the development of an authentic American musical vocabulary. Jazz, blues and folk melodies and rhythms are frequent themes in his many song cycles, his nine operas, his eight symphonies, and his many choral, chamber, and solo works. His 37 orchestral works have been performed by leading orchestras throughout the world under such conductors as Arturo Toscanini, Leopold Stokowski, Dimitri Mitropoulos, Lorin Maazel, and Sergiu Comissiona. He also composed for Hollywood (notably, the film score of They Came to Cordura, starring Gary Cooper and Rita Hayworth, 1959) and Broadway ("Sing Out, Sweet Land," 1944, book by Walter Kerr).
Recorded in 1966 and issued on Steve Richmond's Earth Records in 1977. There were supposedly 500 copies but, considering how few turn up for sale, I suspect that number may be inflated. Bukowski reads segments from his books and has a few other rants as well. Its easy to suspect when listening to these recordings that the man was quite drunk when he made them. A real collectors item.
In Concert is the successor CD set to the individual releases of Absolutely Live (which remains in print as a single CD), Alive, She Cried, and Live at the Hollywood Bowl – as none of them presented more than a single angle or two of the group's sound and each confined itself to only a portion of the group's repertoire, the three-in-one release makes perfect sense and is a decent bargain…
This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.