This two-fer from Collectables features a pair of out of print LPs by easy listening arranger, composer, and producer Don Ralke, Gershwin with Bongos and The Savage and the Sensuous Bongos, both originally issued in 1960. These 26 tracks are unique in that the arrangements feature bongos as the prominent instrument. Along with several Ralke originals are such Gershwin standards as "How Long Has This Been Going On," "Summertime," and "I Got Rhythm."
The Complete Wooly Bully Years 1963-1968 includes six albums on three CDs plus bonus recordings, including non-LP singles. The quintessential Tex-Mex band of the 1960s, Sam The Sham And The Pharaohs hailed from Dallas, Texas where Domingo "Sam" Samudio was born in 1937 and raised. After chart success eluded them after recording Haunted House for the Dingo label in 1965 they landed a contract with MGM Records, home of such rock 'n' roll artists as Roy Orbison, The Animals, and Herman's Hermits.
At various times in his long career, saxophonist, composer, playwright, and educator Archie Shepp has been regarded as a musical firebrand, cultural radical, soulful throwback to the jazz tradition, contemplative veteran explorer, and global jazz statesman…
At various times in his long career, saxophonist, composer, playwright, and educator Archie Shepp has been regarded as a musical firebrand, cultural radical, soulful throwback to the jazz tradition, contemplative veteran explorer, and global jazz statesman…
At various times in his long career, saxophonist, composer, playwright, and educator Archie Shepp has been regarded as a musical firebrand, cultural radical, soulful throwback to the jazz tradition, contemplative veteran explorer, and global jazz statesman…
At various times in his long career, saxophonist, composer, playwright, and educator Archie Shepp has been regarded as a musical firebrand, cultural radical, soulful throwback to the jazz tradition, contemplative veteran explorer, and global jazz statesman. During the '60s, he was viewed as possibly the most articulate and intense member of the free jazz generation, issuing records such as Fire Music, The Way Ahead, and The Magic of Ju-Ju to speak hard truths about social injustice and the anger he felt. His tenor sax solos are searing, harsh, and unrelenting, played with a vivid intensity. During the mid-'70s, his work employed a fatback/swing-based R&B approach evoking Duke Ellington and Ben Webster (exemplified on Body and Soul and On Green Dolphin Street), while in the '80s, on recordings such as Mama Rose, he mixed straight bop, ballads, and blues that displayed little of the fury and fire of his earlier days…