Magma Computer

French reissue of the German progressive rock act's 1993 album (recorded in 1975). This album is the soundtrack of a little known movie released by Philippe Garrel in the seventies. As the movie itself, the music score delivered by A.R.T is very oniric and represents one of the most representative illustration of introspective and dreamy evocations in sound.Each composition is unique and develops its own atmosphere sometimes plaintive, sometimes sad and grave. Stylistically, "Le berceau de cristal" is dominated by pure electronics from the seventies, electric organs,guitar echoes…put together to create delicate and peaceful musical lines.This album can't be ignored. It stands as a monument in electronic space music and soundtrack.

Art Zoyd is a French band formed in 1969, mixing free jazz, progressive rock and avant-garde electronica. Like other members of the Rock in Opposition movement, Art Zoyd fuses progressive rock and jazz with contemporary classical music. Like fellow RIO member Univers Zero, they are also influenced by French Zeuhl bands such as Magma. Today, Art Zoyd is best described as an electronic music group and works primarily for film and ballet. Gérard Hourbette assures the artistic direction while working occasionally with other composers/performers: Kasper T. Toeplitz, Carl Faia, André Serre-Milan, etc.

Music for the silent film 'Man With a Movie Camera' (1929 - USSR) by Dziga Vertov, followed by 'Petite collection de rêves étranges et pièces plaisantes'. French avant-prog unit Art Zoyd formed in 1969 around the core of bassist Thierry Zaboitzeff, percussionist Jean-Pierre Soarez, and violin player Gérard Hourbette, with guitarist Rocco Fernandez, pianist Patricia Dallio, percussionist Daniel Denis (who later formed Univers Zero), and a changing lineup of half-a-dozen additional instrumentalists. In 1975, Zaboitzeff took over the group and changed its musical direction. The personnel would be narrowed to include two violins, electric bass, and trumpet, as evidenced by their debut full-length, Symphonie Pour le Jour Ou Bruleront les Cités, self-released in 1976.

Although not released until 1993, Le Berceau de Cristal was originally the soundtrack to Philippe Garrel's 1976 film of that name, providing an appropriately hallucinatory backdrop to Nico's musings and her oneiric encounters with various pseudo-mythological characters. Le Berceau de Cristal shows continuity with 1975's Inventions for Electric Guitar, enveloping listeners in analog ambient-minimalist soundscapes that anticipate the work of subsequent generations of electronic musicians.

French avant-prog unit Art Zoyd formed in 1969 around the core of bassist Thierry Zaboitzeff, percussionist Jean-Pierre Soarez, and violin player Gérard Hourbette, with guitarist Rocco Fernandez, pianist Patricia Dallio, percussionist Daniel Denis (who later formed Univers Zero), and a changing lineup of half-a-dozen additional instrumentalists. In 1975, Zaboitzeff took over the group and changed its musical direction. The personnel would be narrowed to include two violins, electric bass, and trumpet, as evidenced by their debut full-length, Symphonie Pour le Jour Ou Bruleront les Cités, self-released in 1976. Its reception won them an opening slot on a tour with Magma.