It is all too easy to take Gustav Mahler's symphonies and orchestral songs for granted in the 21st century's first decade. More than ever before, concert performances and recordings of these works abound, and at a level of proficiency that reveals the remarkable extent to which musicians worldwide have assimilated the composer's idiom. Given the music's primacy in today's central orchestral repertoire, we forget how the great Mahler advocates of the past had to champion his music in the face of adversity. "Who can bear those monstrous symphonies, those over-blown, out-of-date horrors," asked one leading music critic when the New York Philharmonic launched a Mahler Festival to celebrate the composer's 1960 centenary.
Karajan's reading of the Sixth, the darkest symphony of Mahler, is a revelation… the combination of polish, rhythmic point and flexibility make for a reading that has both concentration over the broadest span and consistent fantasy and imagination over detail. ..The recording is one of the very finest ever given to Karajan in Berlin, with ample range and richness…. a Mahler recording which sets new standards.
Gramophone (1978)
… magnificently prepared and executed; the orchestral playing is wonderfully beautiful, and the conductor's balancing of his vast forces is magisterially subtle… the controlled power of this account of the Sixth is enormous. Without that, the gorgeousness of the detail might have seemed cosmetic; but the strength of the framework is enough to carry it brilliantly. ..The Andante moderato, in particular, has a grandly sustained radiance that has probably never been matched.
Records and Recording (1978)
This 16-disc set contains what is without a doubt the most distinguished collection of Mahler performances ever to have been assembled in one place. DG has sensibly collected all of Bernstein's Mahler for Polygram labels, including the London "Das Lied von der Erde," and all of the orchestral song cycles: "Song of a Wayfarer," "Kindertotenlieder," "Rückert-Lieder," and "Des Knaben Wunderhorn." All of these recordings have been issued separately to general critical acclaim, and despite a veritable warehouse of new Mahler discs in the '90s, Bernstein's versions by and large still reign supreme.
The set includes 17th and 18th century arias and songs from England by Purcell, Handel and Green, French art-songs by Debussy and Fauré, as well as canciones by Spanish composers including Enrique Granados and Joaquín Turina.
There are compelling reasons for acquiring this collection of recordings made in Vienna and New York in 1968. First, there is the intensely characterful singing of Dietrich Fischer-Dieskau and of Christa Ludwig, one of the great Mahler interpreters. Then there is the double fascination of hearing the songs with piano accompaniment played by Leonard Bernstein, who at that time was very much into enacting the role of Mahler's self-appointed representative on earth. Richard Osborne; Gramphone, March 1992.
Karajan's way with Mahler is smoother, less anguished or conflicted than many critics like, but he isn't glib or glossy–this is excellent, insightful conducting. I can't imagine why DG doesn't have more faith in this recording or why critics haven't discovered it. It's not as though Karajan is a hidden talent. After collecting Das Lieds from Rattle, Bernstein, Horenstein, Tennstedt, Kubelik, Giulini, Salonen, Sinopoli and Walter–the list goes on–I sitll rank this version almost as high as the Klemperer. Certainly no one has done it better since. - from Amazon.com
The Decca / Deutsche Grammophon catalogue of Mahler recordings is unsurpassable. Our major contribution to the celebrations this year will be the first-ever Mahler Complete Edition, a combined effort of Decca and Deutsche Grammophon recordings as an 18-CD supe-rbudget box, with the ten symphonies, Das Lied von der Erde, Das klagende Lied, the song cycles, the Knaben Wunderhorn songs and early works - in benchmark recordings by a great assembly of Mahler conductors, singers and orchestras. Each Symphony gets a different conductor, and the list is awesome: Abbado (no. 6), Bernstein (no. 5), Boulez (no. 4), Chailly (no. 10), Giulini (Das Lied), Haitink (no. 3), Karajan (no. 9), Kubelik (no. 1), Mehta (no. 2), Sinopoli (no. 7), Solti (no. 8).
Bernstein Collectors Edition & the Complete Mahler Cycle on DVD
Deutsche Grammophon remembers the legendary Leonard Bernstein
October 14, 2005 will mark the 15th anniversary of Leonard Bernstein's death. This lapse of time has only served to secure Bernstein's prominence as one of the most respected musicians of the 20th century and to affirm his reputation as a master conductor, composer, and teacher. Bernstein's sphere of influence extends past orchestral, operatic, and choral music to Broadway and beyond. His legacy is multiple, including that of a cogent writer, impassioned humanitarian, and engaging lecturer. In all of these capacities, Leonard Bernstein imparted his total enthusiasm for music and its importance in the life of every individual.
Bernstein Collectors Edition & the Complete Mahler Cycle on DVD
Deutsche Grammophon remembers the legendary Leonard Bernstein
October 14, 2005 will mark the 15th anniversary of Leonard Bernstein's death. This lapse of time has only served to secure Bernstein's prominence as one of the most respected musicians of the 20th century and to affirm his reputation as a master conductor, composer, and teacher. Bernstein's sphere of influence extends past orchestral, operatic, and choral music to Broadway and beyond. His legacy is multiple, including that of a cogent writer, impassioned humanitarian, and engaging lecturer. In all of these capacities, Leonard Bernstein imparted his total enthusiasm for music and its importance in the life of every individual.