Schnitke' s Third Symphony is possibly his most daring and ambitious musical project. The impressive orchestral mass' employment, the exploratory character of every one of its four movements and the overwhelming perspective that hovers it, make of this work hard to label it.
The Third Concerto is scored for a wind-heavy chamber orchestra and ranges across a musical landscape that includes Mahler, Schubert, Russian Orthodox chant, Berg, and Hindemith, yet remains a fascinating personal statement. The magnificent Fourth is the prize of the set, one of the century's most profound and disturbing concertos. Written for Kremer in 1984, it has lyrical passages of ethereal beauty, but also jagged, violent orchestral eruptions that silence the lone violin, reducing it to silent gestures.