Major Dundee

For “Singer and Songs” Dick van Altena has teamed up, once again, with a stellar cast of Dutch country instrumentalists. One of the highlights is a duet with (co-writer) Billy Yates.

Crepuscolo is the final song in Ottorino Respighi’s song cycle Deità silvane (‘woodland deities’), but as an album title it also stands for the twilight during the interwar years of everything that Respighi represented, as various trends such as atonality, spiky neoclassicism and futurism flourished. In reaction to these developments, Respighi in 1932 famously signed a manifesto calling for music with a ‘human content’ – something which his songs certainly live up to: as Elsa Respighi, the composer’s wife, once said it was to his songs that he ‘entrusts his heart’s hidden secrets, when he lets his soul sing freely.’

The music of the English composer John Gardner (1917–2011) – basically tonal and always impeccably crafted – is characterised by rhythmic vivacity and harmonic immediacy. His musical fingerprints come from his love of jazz, Renaissance and Baroque procedures and his mastery of imitative counterpoint; his use of established musical forms invests them with a quirky and distinctive harmonic idiom.