Making Woodwind

Mozart composed some fifty symphonies, if we include works he adapted from opera overtures or serenades by adding movements or taking them away. The first dates from 1764-5, at the time of his childhood visit to London, and most are early works, quite short. Many are associated with his boyhood travels (his first trip to Italy in 1769-71, for instance) but his most prolific period as a symphonist was between 1771 and 1774 when, in Salzburg, he wrote no fewer than seventeen.

Renowned for his avant-garde approach to the saxophone, Peter Brotzmann unleashes sonic landscapes that push the boundaries of free jazz. His playing style reflects a profound exploration of emotion and technique, making each note a revelation. Anto Pett, a virtuoso pianist and composer, weaves intricate musical tapestries with his nuanced playing. As a pioneer in improvisation, Pett brings an emotive and thought-provoking dimension to the ensemble. His harmonious interplay with Brotzmann and Bystrov creates a dynamic balance, elevating the collective improvisation to new heights. Vlady Bystrov's mastery of woodwind instruments adds a rich and diverse texture to the trio's sonic palette. His skillful exploration of timbre and tone enhances the improvisational landscape, providing a captivating interplay with Brotzmann and Pett…

Pianists Martha Argerich and Nelson Freire are stupendous virtuosos, and there's nothing in this recording of their 2009 Salzburg recital of staggeringly difficult works they cannot play. They know each other so well as old duo piano partners that their playing is stunning in its unity, but their distinctive individuality also comes across. What's most impressive about this recital is how completely Argerich and Freire have made this music their own. Brahms' Haydn Variations sound freer and fresher, more playful, and more profound than ever. Rachmaninov's Symphonic Dances are thrillingly rhapsodic, rapturous, and dramatic. Schubert's Grand Rondeau is more lyrical, intimate, and graceful than usual, and Ravel's La Valse more ecstatic and apocalyptically over-the-top frightening than in any comparable recordings, including Argerich's own earlier releases. Captured in wonderfully clear yet wholly present digital sound, the performances on this disc will be compulsory listening for anyone who loves music, any music.