Malice in Wonderland

Nazareth - Malice In Wonderland 1980 & The Fool Circle 1981 (2000)

Nazareth - Malice In Wonderland 1980 & The Fool Circle 1981 (2000)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
CD-Maximum, CDM 198-51 | ~ 528 or 188 Mb | Scans(jpg) -> 44 Mb
Hard Rock, Classic Rock

As the 1980s began, Nazareth decided to return to the AOR experimentation they had toyed with during the 1970s on albums like Close Enough for Rock & Roll and Play 'N the Game. They also made a play for AOR viability by hiring West Coast session legend Jeff "Skunk" Baxter to produce the album…
Paice, Ashton, Lord - Malice In Wonderland (1976) {1990, Japan 1st Press}

Paice, Ashton, Lord - Malice In Wonderland (1976) {1990, Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 280 Mb | MP3 CBR320 ~ 111 Mb
Covers Included | 00:44:13 | RAR 5% Recovery
Classic Rock / Jazz Rock / Funk Rock / Hard Rock / Progressive Rock / Blues Rock / Rhythm & Blues
Polydor K.K. #POCP-1829

The Deep Purple spin-off project Paice Ashton Lord were formed by ex-Deep Purplers Ian Paice (drums) and Jon Lord (organ) with Tony Ashton, who had been in the Remo Four during the British Invasion era and then in Ashton, Gardner & Dyke (famous for "Resurrection Shuffle"). When they got together in mid-1976, Deep Purple had just broken up; for the sole Paice Ashton Lord album, the sound was filled out by guitarist Bernie Marsden and bassist Paul Martinez. That LP, Malice in Wonderland, was not nearly as heavy as Deep Purple had been, though it still owed much to mainstream British hard rock. However, there was a fair amount of jazz influence in the arrangements (which sometimes included brass) and some soul ingredients to the songwriting.
Paice Ashton Lord - Malice In Wonderland (1977) {2019, Remastered}

Paice Ashton Lord - Malice In Wonderland (1977) {2019, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 535 Mb | MP3 CBR320 ~ 191 Mb
Full Scans ~ 81 Mb | 01:18:58 | RAR 5% Recovery
Hard Rock, Funk Rock, Progressive Rock, R&B | e·a·r @ MUSIC #0212794EMU

Paice Ashton Lord's sole album is a rather anonymous-sounding late-1970s hard rock/AOR effort. There's more funk, soul, boogie, and jazz influence than you would expect from Deep Purple alumni, but at heart these are typical period mainstream rock songs that don't lend a distinctive personality to the short-lived band. There's an outrageously blatant quote from Blood, Sweat & Tears' "Spinning Wheel" in "Silas & Jerome." The 2001 CD reissue on Purple Records adds eight bonus tracks from the sessions for their unreleased second album, which are of a similar but less polished quality. Some of the songs are instrumentals rather than fully worked-up compositions, and the fidelity on a few of them is substandard, though not truly bad. The liner notes for the reissue give a thorough history of the band.

Nazareth - Malice In Wonderland (1980) [LP,DSD128]  Vinyl & HR

Posted by Discograf_man at Oct. 16, 2019
Nazareth - Malice In Wonderland (1980) [LP,DSD128]

Nazareth - Malice In Wonderland (1980) [LP,DSD128]
Rock, Hard Rock, Pop Rock | DSD128 (*.dsf, tracks), 1-bit/5.64 MHz
Run Time: 00:41:22 | 3.43 GB + 5% Recovery
Label: A&M Records | Release Year: 1980

Malice in Wonderland is the eleventh studio album by the Scottish hard rock band Nazareth, released in 1980. After the heavy lurch of the previous album, the band chose to follow a more commercial path and the album produced the hit singles "Holiday" and "Heart's Grown Cold". The latter was covered by U.S. Southern Rock band Blackfoot on their 1983 album Siogo.
Paice Ashton Lord - Malice in Wonderland (Remastered) (1977/2019) [Official Digital Download]

Paice Ashton Lord - Malice in Wonderland (Remastered) (1977/2019)
FLAC (tracks) 24-bit/44.1 kHz | Time - 43:51 minutes | 533 MB
Studio Master, Official Digital Download | Artwork: Front cover

Paice Ashton Lord was a short-lived but spectacular moment in the history of rock 'n' roll. 'Malice in Wonderland' is the only album the band release, back in 1977. Influenced by Jon Lord and Tony Ashton's previous collaborations it merged rock with big band Swing, Rhythm 'n' Blues and Funk. The one thing they didn't want to end up being was laid-back. And they didn't. 'Malice in Wonderland' is driving and swinging feel-good rock at its finest.

Malice in Wonderland: My Adventures in the World of Cecil Beaton  eBooks & eLearning

Posted by l3ivo at Sept. 13, 2022
Malice in Wonderland: My Adventures in the World of Cecil Beaton

Hugo Vickers, "Malice in Wonderland: My Adventures in the World of Cecil Beaton"
English | 2021 | ISBN: 164313843X, 1529338034 | 400 pages | EPUB | 21.8 MB
Malice in Wonderland: The Political Unconscious in American Horror Films of the 1970s

Bojan Baca, "Malice in Wonderland: The Political Unconscious in American Horror Films of the 1970s"
English | 2009 | ISBN: 3639184483 | PDF | pages: 91 | 1.2 mb
Malice in Wonderland: My Adventures in the World of Cecil Beaton [Audiobook]

Malice in Wonderland: My Adventures in the World of Cecil Beaton [Audiobook]
English | ASIN: B0B1RW8C6G | 2022 | 11 hours and 18 minutes | MP3@64 kbps | 310 MB
Author: Hugo Vickers
Narrator: Hugo Vickers

«Malice in Wonderland» by Rufus King  eBooks & eLearning

Posted by Gelsomino at Jan. 21, 2023
«Malice in Wonderland» by Rufus King

«Malice in Wonderland» by Rufus King
English | EPUB | 0.4 MB
Paice Ashton Lord - BBC Radio 1 Live In Concert (1992) {Japan 1st Press}

Paice Ashton Lord - BBC Radio 1 Live In Concert (1992) {Japan 1st Press}
EAC Rip | WavPack (Img) + Cue + Log ~ 340 Mb | MP3 CBR320 ~ 127 Mb
Covers Included | 00:50:51 | RAR 5% Recovery
Classic Rock, Blues Rock | Brunette / Alfa Records #ALCB-825

Paice Ashton Lord was a short-lived British rock band featuring Deep Purple band members Ian Paice and Jon Lord with singer Tony Ashton. The band was formed in 1976, released its only album in 1977 and broke up in 1978. Recorded in 1977, on the tails of the post-Deep Purple supergroup's Malice In Wonderland album, this extremely well-recorded broadcast catches the trio (and friends) stretching out in directions that the album itself never managed. On vinyl, after all, PAL sounded constricted, forever teetering on the brink of a no-holds-barred jam, but never quite mustering the strength to leap in. On stage, however, the improvisational instincts that Paice and Lord had built their very reputations upon were given full rein to spread and stretch.