Man Future

Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes: beauty and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and his Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring.

While the outside may have changed the inside is exactly the same. An on point selec-tion of the sound of today and tomorrow, with a solid nod to the past. Future Disco has always managed to weave that line of interesting and party starting and on this album it’s no different. Disco has always been about uniting the dancefloor and Future Disco embody this spirit with a cross selection of sounds and artists. They find plenty of future rising stars with Berlin’s Cinthie, New Zealand’s Flamingo Pier and Paris’s Yuksek all comfortably sitting alongside more established names as Jamie Jones who reworks Teddy Pendergrass, Metro Area’s Darshan Jesrani and the original destroyer of Rock and Roll, Mylo.

"Songs of Future Memories (1982-2022)" ist die längst überfällige zweite Anthologie der schwedischen Pioniere der elektronischen Musik, TWICE A MAN. Auf drei CDs wurden die besten Tracks aus 14 Song-Alben gesammelt und sorgfältig remastert. Die 7 Instrumentalwerke des Bandkatalogs wurden bei diesem Projekt bewusst ausgeklammert, das als umfassender musikalischer Führer durch die herausragende Karriere der Band dienen kann. “Songs Of Future Memories” erfasst somit 4(!) Jahrzehnte der bahnbrechenden Werke von Twice A Man. Neben den bereits bekannten Stücken hat die Band auch mit "Lotus" und "Dahlia" zwei neue Tracks hinzugefügt, und das dazugehörige 72-Seitige Artwork selbst designed.

Cecil B. DeMille’s The Squaw Man is a first and a last. The 1914 version is widely regarded as the first feature film made in Hollywood. And DeMille makes the final film under his MGM contract with a 1931 Talkie of the oft-told tale (DeMille lensed a second silent version in 1918) about a British outcast in the West, his Native American bride and events that shatter their happiness. The films vary greatly. The first is packed with events – a horse race, a brawl with a Scotland Yarder, a shipboard fire, a night in New York – that foreshadow DeMille’s ambitious narrative reach. The second hones in on the tender and ultimately heartbreaking familial relationship. Same story. Same filmmaker. A rare chance to experience them in different ways.