Despite their legendary status, the Police only released five albums during their brief reign from 1978-1983. In addition, the trio had amassed a healthy amount of both studio and live B-sides, plus songs that only appeared on soundtracks. For the 1993 four-CD box set Message in a Box: The Complete Recordings, every single song the Police ever recorded is included. All the tracks were digitally remastered for the project, sounding superior to the original CD versions of the single albums. Also included is a 68-page booklet that includes an interesting (and often humorous) biography, a time line, and notes from all three bandmembers regarding the rarities that appear for the first time on compact disc here. But of course, the real charm of the box set is the music - album tracks ("Hole in My Life," "It's Alright for You," "Driven to Tears")…
Recorded on February 22, 1981 @ Festival Hall, Melbourne AU. Fan Made Release - Not For Sale. Transcription LP transfer by Luke Pacholski. This is a brand new transcription LP transfer of the music only (no backstage nonsense or advertisements). The sound quality is the best yet!
For decades, bluesman and songwriter Ray Bonneville worked day jobs while playing his songs in coffee houses and house parties at night, eventually earning a place on international festival stages with Muddy Waters and Bukka White long before he had a recording contract. Since 1993, Bonneville's issued a host of recordings of consistently high quality. 2008's Goin' by Feel, produced by Gurf Morlix, scored him a number one at Americana with "I Am the Big Easy," his tribute to New Orleans (Bonneville lived there before relocating to Austin). Bad Man's Blood was co-produced with Justin Douglas and Morlix (electric, baritone, and bass guitars and banjo), percussionist Mike Meadows, and saxophonist Dexter Payne, in various combinations. Bonneville plays an amalgam of acoustic and electric guitars, harmonica, and his trademark foot stomp. The blues songs – the poetic, narrative title track (inspired no doubt by hardbitten characters from Gothic American fiction) to raw, skeletal, electric snaky rhythm constructions like "Mississippi," that addresses the Delta's tradition in his playing and the horrors of the river flooding in its historical story line.
Tom Jones has always been better than the average music snob has been willing to acknowledge. Even when he was making his living as the greatest of all Las Vegas lounge lizards, he had craft, passion, and a desire to deliver for his audience that put his peers to shame. At the age of 75, he's not only singing with all the force, power, and authority he commanded in the '60s and '70s, but he's making the best and most ambitious recordings of his career. Long Lost Suitcase is Jones' third project with producer Ethan Johns, and like 2010's Praise & Blame and 2012's Spirit in the Room, it finds Jones digging into rootsy sounds that give him a chance to indulge his passion for blues, vintage gospel, and R&B.
On Suitcase, his eighth studio release, Keb' Mo' (Kevin Moore) reunites with John Porter, the producer of Moore's critically lauded first album, and the result is a pleasant, midtempo suite of songs dedicated to the emotional baggage everyone carries with them as they plow through increasingly complicated lives in search of peace, love, and some measure of personal redemption…
This 4-CD box set contains 100 classic recordings, many available for the first time in originally recorded stereo. All tracks are digitally remastered.