Manchester Camerata

Jean-Efflam Bavouzet and Gábor Takács-Nagy continue their acclaimed survey of Mozart’s Piano Concertos with this tenth volume, concentrating on the very early works of the child-genius composer.

This third volume in the series from the electrifying combination of Jean-Efflam Bavouzet and Manchester Camerata under Gábor Takács-Nagy explores the final two of the six piano concertos of the year 1784, on which Mozart staked his reputation as both a performer and composer. Alongside these works features the pioneering Quintet for Piano and Winds, also from 1784, the first written for this combination of instruments and a work which Mozart regarded as his finest to date.

Jean-Efflam Bavouzet and Gábor Takács-Nagy continue their acclaimed survey of Mozart’s Piano Concertos with this tenth volume, concentrating on the very early works of the child-genius composer.

The music on this EP inhabits a particular corner of the bounteous repertory of characteristic pieces for violin and piano. Short without being slight, these miniatures are vibrant and emotive, getting to the heart of the matter with freshness and originality, and sharing a rich yet restrained harmonic language which is identifiably English in character.

Robin Walker began his musical life as Head Chorister at York Minster then studied under David Lumsdaine at Durham and Anthony Milner at the Royal College of Music. His early work was seriously modernist but since the 1980s he has worked on an ‘instinctual’ approach involving a relationship with Nature, a sense of Place and our position within it, even including ‘folk-style’ elements – also to some extent informed by studying the music and dance of India.

Jean-Efflam Bavouzet’s acclaimed series of piano concertos by Mozart reaches its fifth instalment. Concertos Nos 5, 6, 8, and 9 are complemented by the overtures to Il sogno di Scipione, Lucio Silla, La finta giardiniera, Il re pastore, and Zaide. That all of these works were composed by Mozart between the ages of fifteen and twenty-five serves as a vivid reminder of his unique talents as a child prodigy: these are not childhood efforts but mature works. The Fifth Concerto was actually Mozart’s first, as Nos 1 – 4 are arrangements of works by other composers. As in the previous volumes, Bavouzet is partnered by Manchester Camerata and Gábor Takács-Nagy, all recorded in The Stoller Hall in Manchester.

Volume 7 of Jean-Efflam Bavouzet’s Mozart piano concertos survey with Gábor Takács-Nagy and the Manchester Camerata features two of the late concertos – Nos 24 and 25 – along with a spirited reading of the Overture to Le nozze di Figaro (The Marriage of Figaro). Concerto No. 24 was written whilst Mozart was busily composing Le nozze di Figaro, between October 1785 and the première, in Vienna, in May 1786.

Fastness is a disc of orchestral music by Nicholas Simpson, who read law at Nottingham University, played guitar in rock bands, and then studied composition with John Tavener at Trinity College of Music, where he won the Chappell Prize for composition and the Ricordi Prize for conducting. Simpson practised as a criminal layer in London, but quit to be a professional musician on moving back to Manchester in 1998. His music has been widely played both in the UK and abroad, his output including three symphonies, a piano concerto, chamber music, an oratorio and Quarantine, an opera based on Jim Crace's 1995 Booker-shortlisted novel of the same name.

Jean-Efflam Bavouzet’s acclaimed series of piano concertos by Mozart reaches its fifth instalment. Concertos Nos 5, 6, 8, and 9 are complemented by the overtures to Il sogno di Scipione, Lucio Silla, La finta giardiniera, Il re pastore, and Zaide. That all of these works were composed by Mozart between the ages of fifteen and twenty-five serves as a vivid reminder of his unique talents as a child prodigy: these are not childhood efforts but mature works. The Fifth Concerto was actually Mozart’s first, as Nos 1 – 4 are arrangements of works by other composers. As in the previous volumes, Bavouzet is partnered by Manchester Camerata and Gábor Takács-Nagy, all recorded in The Stoller Hall in Manchester.